Gender, Religion and Domesticity in the Novels of Rosa Nouchette CareyAshgate, 2000 - Всего страниц: 213 Rosa Nouchette Carey (1840-1909), the English author of forty-one 'domestic' novels, was continuously in print from 1868 until at least 1924 and yet she is virtually unknown today. This first in-depth study of Carey's work assesses both her immense popularity and her subsequent fall from favour. Organized thematically, it engages with the historical and cultural context of the novels as well as comparing them with the work of Carey's contemporaries. Matters such as Carey's creative response towards spinsterhood, her provision of vicarious male approval and her valorization of housework are perceived as functions of her writing that lie beyond formal literary criticism. This is not to deny the literary value of Carey's work; rather it is to make intelligible its value to a large and enthusiastic readership despite an undoubted lack of appreciation on the part of reviewers. |
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... society is plural and antagonistic , so must the subject reflect these qualities . ) However , if there is any sense in which the subject is unconstructed then the number of contradictions necessarily increases . The constructed ...
... society is plural and antagonistic , so must the subject reflect these qualities . ) However , if there is any sense in which the subject is unconstructed then the number of contradictions necessarily increases . The constructed ...
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... society comprises a series of ' language games ' , The Postmodern Condition posits that society manifests itself as a network of communications in which every subject participates : 18 no self is an island ; each exists in a fabric of ...
... society comprises a series of ' language games ' , The Postmodern Condition posits that society manifests itself as a network of communications in which every subject participates : 18 no self is an island ; each exists in a fabric of ...
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... society ; it becomes a form without substance . In short , there is nothing like institutionalizing something to make it go out of fashion . It is easy to envisage a situation in which Victorian institutional voices cried in the ...
... society ; it becomes a form without substance . In short , there is nothing like institutionalizing something to make it go out of fashion . It is easy to envisage a situation in which Victorian institutional voices cried in the ...
Содержание
From Nellies Memories 1922 opposite p 188 | 19 |
The Mad the Bad and the Morbid | 30 |
Maiden Ladies | 69 |
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Gender, Religion and Domesticity in the Novels of Rosa Nouchette Carey Elaine Hartnell Ограниченный просмотр - 2018 |
Gender, Religion and Domesticity in the Novels of Rosa Nouchette Carey Elaine Hartnell Недоступно для просмотра - 2017 |
Gender, Religion and Domesticity in the Novels of Rosa Nouchette Carey Elaine Hartnell Недоступно для просмотра - 2019 |
Часто встречающиеся слова и выражения
according appears becomes behaviour believed brain fever brother called Carey's novels century chapter characters comfort constructed criticism daughter death discourse discussion disease domestic dominant duty early employment establishment example experience father feel female fictional Friend gained Girls given happy hereafter heroine home-maker household husband ideal indicates insanity interest John kind Lady latter least living London Macmillan male marriage married means mental mind Miss moral mother nature never nineteenth nineteenth-century notion nursing passage person physical poor position possible present R.N. Carey reader reading reason reference relation relationships religious represented response reviewer role Rosa seems seen sense simply single sister social society story suggests tells thought University Victorian whilst wife woman women writing young