Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 107
... murder , is . A lifeless subterranean stump , a dead brother , a murder , seeds the genealogy and text of the buried fear transmitted through . the Henriad . From this progenitor no linear succession can descend , or ascend , for the ...
... murder , is . A lifeless subterranean stump , a dead brother , a murder , seeds the genealogy and text of the buried fear transmitted through . the Henriad . From this progenitor no linear succession can descend , or ascend , for the ...
Стр. 295
... murdered Old Hamlet and assumed his crown . Thus , whether or not we can easily imagine Polonius holding sway at the court of Old Hamlet , " we cannot trace his political and ethical con- duct directly to Claudius and the murder of his ...
... murdered Old Hamlet and assumed his crown . Thus , whether or not we can easily imagine Polonius holding sway at the court of Old Hamlet , " we cannot trace his political and ethical con- duct directly to Claudius and the murder of his ...
Стр. 394
... murder , and the murder that they plan is abso- lutely the stock in trade of Elizabethan drama — whether Kyd or Marlowe , or Shakespeare from Henry VI to Ham- let , or Jacobean versions such as The Revenger's Trage- dy . When Sebastian ...
... murder , and the murder that they plan is abso- lutely the stock in trade of Elizabethan drama — whether Kyd or Marlowe , or Shakespeare from Henry VI to Ham- let , or Jacobean versions such as The Revenger's Trage- dy . When Sebastian ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York