Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Стр. 255
... moral centre , the exotic is now encountered in the course of an outward or literally ' exorbitant ' adventure beyond the geographical and moral confines of the Roman world . ' Exorbitance ' , as we have seen , is a type of geographical ...
... moral centre , the exotic is now encountered in the course of an outward or literally ' exorbitant ' adventure beyond the geographical and moral confines of the Roman world . ' Exorbitance ' , as we have seen , is a type of geographical ...
Стр. 268
... moral nature , he / she is clearly associated with a motif of ' temperance ' , which figures the island as ' temperate ' in both a climatic sense and a moral sense . In the first instance ( as I have argued elsewhere ) , this motif ...
... moral nature , he / she is clearly associated with a motif of ' temperance ' , which figures the island as ' temperate ' in both a climatic sense and a moral sense . In the first instance ( as I have argued elsewhere ) , this motif ...
Стр. 269
... moral ' extravagance ' figures him as a voyager in the ancient mould : a confuser of categories like Seneca's Jason , or an impious overreacher like Paterculus's Cras- sus - recognising ' no limits ' ( modum ) and accepting ' no bounds ...
... moral ' extravagance ' figures him as a voyager in the ancient mould : a confuser of categories like Seneca's Jason , or an impious overreacher like Paterculus's Cras- sus - recognising ' no limits ' ( modum ) and accepting ' no bounds ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York