Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
Результаты поиска по книге
Результаты 1 – 3 из 82
Стр. 42
... example ) there is a further element of public humiliation that also characterises the testing and virtual trial of Bertram . This closely parallels the finale of the Arcadia , where the princes ' sexually motivated deceptions result in ...
... example ) there is a further element of public humiliation that also characterises the testing and virtual trial of Bertram . This closely parallels the finale of the Arcadia , where the princes ' sexually motivated deceptions result in ...
Стр. 83
... example he picks here is telling : " Consider ' I divorce you , ' said to a wife by her husband in a Christian country . . . . In this case it might be said , ' nevertheless he has not ( successfully ) divorced her .... We do not admit ...
... example he picks here is telling : " Consider ' I divorce you , ' said to a wife by her husband in a Christian country . . . . In this case it might be said , ' nevertheless he has not ( successfully ) divorced her .... We do not admit ...
Стр. 363
... example , or the Renais- sance ideal of friendship - John Benson's is undoubtedly the most radical . In order to cover up the fact that the first 126 of the Sonnets were written to a male , Benson in his 1640 Poems : Written by Wil ...
... example , or the Renais- sance ideal of friendship - John Benson's is undoubtedly the most radical . In order to cover up the fact that the first 126 of the Sonnets were written to a male , Benson in his 1640 Poems : Written by Wil ...
Содержание
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
Не показаны другие разделы: 25
Часто встречающиеся слова и выражения
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York