In direct opposition to the spirit which would make not moral excellence but technical forms of belief the test of safety he writes such verses as these In one blaze of charity • Lord, and what shall this man do?” Ask'st thou, Christian, for thy friend? Christ hath told thee of his end : Nor human wisdom nor divine Love is lise's only sign.' Again, the doubts and difficulties, which in the rude conflict of theological controversy are usually ascribed to corrupt, motives and the like, are treated in his Ode on St. Thomas's Day with a tenderness worthy of the most advanced of modern thinkers : • Is there on earth a spirit frail, Who fears to take their word ; To think he sees the Lord ? Read and confess the Hand Divine That drew thy likeness here so true in every line.' And the beautiful analysis of the character and position of Barnabas, which is one of the masterpieces of Renan's work on the Apostles, is all but anticipated in the lines on that saint in the Christian Year : • Never so blest as when in Jesus' roll, They write some hero-soul, More pleased upon his brightening road To wait, than if their own with all his radiance glow'd.' Such a keen discrimination of the gifts and relations of the Apostles belongs to the true modern element of theology, not to the conventional theories of former days. And with regard to the more special peculiarities of the High Church school, it is remarkable how at every turn he broke away from them in his poetry. It is enough to refer to the justification of marriage as against celibacy in the Ode on the Wednesday in Passion Week; the glorification of the religion of common against conventual life in his Morning Hymn, and in his Ode on St. Matthew's Day. The contending polemic schools have themselves called attention to the well-known lines on the Eucharist in the poem on Gunpowder Treason. It is clear that, whatever may have been the subtle theological dogma which he may have held on the subject, the whole drift of that passage, which no verbal alteration can obliterate, is to exalt the moral and spiritual elements of that ordinance above those physical and local attributes on which later developments of his school have so exclusively dwelt. These instances might be multiplied to any extent. It would, of course, be preposterous to press each line of poetry into an argument. But the whole result is to show how far nobler, purer, and loftier was what may be called the natural element of the poet's mind, than the artificial distinctions in which he became involved as a partisan and as a controversialist. This is no rare phenomenon. Who has not felt it hard to recognise the author of the Paradise Lost and of the Penseroso in the polemical treatises on Divorce and on the Execution of Charles I? Who does not know the immeasurable contrast between Wordsworth the poet of nature and of the human heart, and Wordsworth the narrow Tory and High Churchman of his later years? In all these cases it is the poet who is the real man—the theologian and politician only the temporary mask and phase. A. P. STANLEY. [From The Christian Year.] THIRD SUNDAY IN LENT. (The Christian Inheritance.) See Lucifer like lightning fall, Dashed from his throne of pride ; The Saints his spoils divide ; So when the first-born of Thy foes Dead in the darkness lay, And cast their bonds away, And when their wondrous march was o'er, And they had won their homes, Among their fathers' tombs ;- Oft as they watched, at thoughtful eve, A gale from bowers of balm The tresses of the palm, It was a fearful joy, I ween, To trace the Heathen's toil, Left ready for the spoil, And now another Canaan yields To Thine all-conquering ark ;- Ye Paynim shadows dark ! The olive-wreath, the ivied wand, “The sword in myrtles drest,' Each legend of the shadowy strand Now wakes a vision blest ; were given. The tempting treasure lends : Are forfeit to Thy friends ; There's not a strain to Memory dear?, Nor flower in classic grove, But minds us of Thy Love, SECOND SUNDAY AFTER EASTER. (Balaam's Prophecy.) That thou might'st take thy stand, Thy tranced yet open gaze Fixed on the desert haze, Where each old poetic mountain Inspiration breathed around. Gray. 1 In outline dim and vast Their fearful shadows cast To ruin: one by one They tower and they are gone, No sun or star so bright In all the world of light He hears th' Almighty's word, He sees the angel's sword, Lo! from yon argent field, To him and us revealed, Chained as they are below Our eyes may see it glow, To him it glared afar, A token of wild war, But close to us it gleams, Its soothing lustre streams Around our home's green walls, and on our church-way path We in the tents abide Which he at distance eyed While seven red altar-fires Rose up in wavy spires, Where on the mount he watched his sorceries dark and dread He watched till morning's ray On lake and meadow lay, Around the bannered lines, Where by their several signs |