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British officers, will imperceptibly ruin their The present war may not endure, perhaps, bigotry. They will all feel that, as their for a long period. Peace at an early date soldiers are allowed to act under the orders would not astonish any party in this country, of one set of infidels, a variety of species and it would please many; but it will not be must exist in the genus. Very probably a peace to believe in, or to trust. The pride their teachers may have sufficient ingenuity of the Russian government will not brook to give that explanation of the matter to curious Moslems; but under any view of the subject it is one more preparation of the way of the "Kings of the East.'

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the check sustained in the complete destruction of preparations that have cost its spare blood and treasure for a quarter of a century. The first opportunity will be greedily seized to recover the lost ground. The Bosphorus forts will be this time turned. Constantinople will be approached from the East. The Castle of Gumri will be the new Sebastopol.

Several years since the friends of rapid communication with India explored the Euphrates in the hope of finding a nearer route than that through Egypt, and round the Arabian peninsula, by the Red Sea. The Its arsenals may be imitated at the foot of adventurers were perfectly satisfied that the the Armenian mountains, where its docks Euphrates is navigable for steamers farther would be useless. But the Dniester, Dnieper, up that river than they require to proceed on Bug, and Don will join the Volga in pouring the route from or to Britain. An accurate men and stores into their great land-locked map will show that it is a more direct route harbor. The canal navigation of Russia to India than that through Egypt; but extends, or can easily be extended, from the especially to Kurrachee and the mouths of Baltic to the Caspian. This war has taught the Indus; and the trade with the Punjaub the Russians Western strength and Northern and Scinde must annually increase in im-weakness. They perceive that we cannot so portance. Maps do not, however, show at- easily interrupt their operations in the mospherical currents; and it is now ascer- interior of Asia as upon the coasts of the tained that vessels on the voyage from central seas. They will slowly accumulate Bombay, by making for the coast of Arabia armies and stores. They will agree with -although the route is more circuitous than Persia-ever willing to arrange with them. the direct passage to Aden-avoid the force They will throw their utmost strength into of the monsoon, and save time. It follows a struggle with the Moslems in the direction that the monsoon would not be so formidable on the voyage to the Persian Gulf. And it is extremely probable that the Egyptian route to India will yet be superseded by the Euphratean. A change of this character, or even a partial charge, would form another and decided preparation of the way.

of Kars, which stands on the Euphrates, or on one of its chief tributaries, and overwhelm Turkey in its least defended side. Then, if not before, the "Kings of the East"- if this identification be correctwill be compelled to take the way prepared for them.

As to the date of the introduction of turtle. It appears by a paper in The World, No. 123, May 8, 1755, that this luxury, long known in the West Indies, had for some time past become frequent, though not yet common, in England. In Lyttelton's Dialogue of the Dead, between Apicius and Darteneuf, the latter is made to lament that turtle was not known in his lifetime. Now, Darteneuf died in 1738, and we may therefore conclude that turtle was introduced to our tables between 1740 and 1750.-Notes and Queries.

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POSIES FROM Wedding-rings. -The following references on this subject are taken from Shakspeare:

"Por. A quarrel, ho, already! What's the matter?

Gra. About a hoop of gold, a paltry ring
That she did give me: whose posy was
For all the world like cutler's poetry
Upon a knife: Love me, and leave me not." "

-Merchant of Venice, Act V. Sc. 1. "Ham. Is this a prologue, or the posy of a ring?"- Hamlet, Act III. Sc. 2.

"Jac. You are full of pretty answers; have you not been acquainted with goldsmiths' wives, and conned them out of rings?"-As You Like It, Act III. Sc. 2. -Notes and Queries.

MY LOVE IS FULL OF HAPPY MIRTH.

My love is full of happy mirth,
Her laughter is a joy to see,

And yet there's scarce a thing on earth
She wishes not to be!

A flower, in some green covert found,
Half hidden from the view:
Ah yes, I said, were I the ground
On which thy beauty grew.

A bird, that sky-ward might repair,
Or soar to heavenly things:
Ah yes, were I the blessed air
That bore thy glittering wings!
Then she would like a river be,
With green banks sweeping wide;
And II'd be some willow tree
Still whispering by her side.

Can I be nothing without you?
She poutingly replied.
All things, to one another true,
I said, must be allied!

As well divorce the air from light,
The color from the flower,
As banish me from that dear sight
In which I live each hour!

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THE DARK SIDE.

THOU hast done well, perhaps,
To lift the bright disguise,

And lay the bitter truth

Before our shrinking eyes;
When evil crawls below

What seems so pure and fair,
Thine eyes are keen and true
To find the serpent there :
And yet I turn away,
Thy task is not divine,
The evil angels look

On earth with eyes like thine.

Thou hast done well, perhaps,

To show how closely wound Dark threads of sin and self

With our best deeds are found; How great and noble hearts, Striving for lofty aims, Have still some earthly cord A meaner spirit claims; And yet-although thy task Is well and fairly done, Methinks for such as thee There is a holier one.

Shadows there are, who dwell

Among us, yet apart, Deaf to the claim of God,

Or kindly human heart; Voicos of earth and heaven

Call, but they turn away, And Love, through such black night, Can sce no hope of day; And yet

-our eyes are dim,
And thine are keener far;
Then gaze until thou seest
The glimmer of some star.

The black stream flows along
Whose waters we despise,
Show us reflected there

Some fragment of the skies;
'Neath tangled thorns and briars
(The task is fit for thee)
Seek for the hidden flowers

We are too blind to see;
Then will I thy great gift
A crown and blessing call;
Angels look thus on men,
And God sees good in all !

Household Words.

AT THE LINN-SIDE.

O LIVING, living water,

So busy and so bright,

Up-flashing in the morning beam,
And sounding through the night —
O golden-shining water,

Would God that I might be

A vocal message from His mouth
Into the world, like thee!

O happy, happy water,

Which nothing e'er affrays,

And, as it pours from crag to crag,
Nothing e'er stops or stays.
But past cool heathery hollows
Or gloomy deeps it flows,

By rocks that fain would close it in,
Leaps through—and on it goes.

O freshening, sparkling water,
O voice that's never still,

Though Winter her fair deal-white hand
Lays over brae and hill,

Though no leaf's left to flitter

In woods all mute and hoar,

Yet thou, O river, night and day
Thou runnest evermore.

No foul thing can defile thee;
Thou castest all aside,

Like a good heart that midst the ill
Of this world doth abide.

O living, living water,

Still fresh and bright and free,

God lead us through this changing world, Forever pure, like thee!

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From the Atheneum.

The Song of Hiawatha. By H. W. Longfellow.. Bogue.

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Here is the account of his hero's wooing:
As unto the bow the cord is,

So unto the man is woman,

and new, and he has worked it up into a poem of many parts. The measure is novel as well as the matter. It is a rhymeless verse, with Ar length we have an American song by something of forest music in its rise and fall. an American singer. For many years we have In it, we hear, as it wero, the swaying of been preaching, on this side of the great wa- trees, the whirr of wings, the pattering of ters, the poetical doctrine of America for the leaves, the trickling of water. Hiawatha is Americans. While the poets of that country a sort of Indian Cadmus, -a personage were running off to Marathon and the Seven known, we are told, in many of the native Hills, to London and the Black Forest, in tribes as a legendary being of miraculous birth, search of poetic ore, we pointed out to them who came to teach the Red Man how to clear the rich lodes of fancy lying untouched and the forest, to sow the fields with grain, to virgin at their own feet. Buried cities,- read and write. Mr. Longfellow has taken vanishing races, forests, lakes, mountains, this ancient legend as the basis of his work; and waterfalls, all the mythical and picto- he has also woven into the texture of his poem rial elements on which imagination loves to a few other and more original traditions found work,- — are there, in their own great country, among the Red race; and he has produced in as we have said again and again, waiting the an imaginary memoir of the hero, Hiawatha, artist's eye to see their beauty, and the sing-a picture of Indian life as it exists in the forer's tongue to give them voice. In breadth, est and by the river, full of light and color, variety, and color, the features of the New repose and action. World transcend those of the Old. What is Sallenche to Niagara? The Rhine would run like a mere thread through the Mississippi. The mounds of the great American valley are probably older than the Pyramids and the Etruscan walls. Who has solved the mystery of the Aztecs? Who has touched the sad and tender chords of Indian story? Who has seized the poetic features of the Red Man? Surely here are fine materials for the true poet! Neither is that tale of the White Man in America devoid of romantic interest. Nay, it is, in our opinion, one of the most romantic tales on record. How full of movement, how stern and dramatic, how infinitely vast, and rapid, and complex, is that story—from Columbus to Raleigh, from Pizarro to Penn, from Las Casas to Oglethorpe! How much of passion, of intellect, of fancy, weaves itself into that bright and clouded web! How intensely poetical, too, are all the episodes and changes of that story-from the sailing of the three poor caravels from Palos down to the Declaration of Independence! Neglect of such a theme by American poets, in favor of legends of European goblins, European cities, and European literary fashions, has always appeared to us a serious impeachment of the national genius.

Though she bends him, she obeys him,
Though she draws him, yet she follows,
Useless each without the other!'

Thus the youthful Hiawatha
Said within himself and pondered,
Much perplexed by various feelings,
Listless, longing, hoping, fearing,
Dreaming still of Minnehaha,
Of the lovely Laughing Water,
In the land of the Dacotahs.

Wed a maiden of your people,'
Warning said the old Nokomis;

Go not eastward, go not westward,
For a stranger, whom we know not.
Like a fire upon the hearth-stone
Is a neighbor's homely daughter,
Like the starlight or the moonlight
Is the handsomest of strangers!

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Thus dissuading spake Nokomis,"
And my Hiawatha answered
Only this: Dear old Nokomis,
Very pleasant is the firelight,
But I like the starlight better,
Better do I like the moonlight!

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As the habit is, the old gentleman gives a great deal of advice; and as the habit also is, the young gentleman follows the desires of his own heart. He sets out in search of his Mr. Longfellow, we repeat, has essayed to bride, passing through prairie and forest, remove this literary reproach. He has taken which are pictured to the fancy by Mr. Longfor his theme an Indian legend, or something fellow with a few delicate and powerful that has an appearance of being an Indian touches of his brush; and on arriving in the legend. The tale itself is beautiful, fanciful, | land of the Dacotahs, finds and wins the lady

of his choice—the Laughing Water. We set the scene before our readers :

"At the doorway of his wigwam
Sat the ancient Arrow-maker,
In the land of the Dacotahs,
Making arrow-heads of jasper,
Arrow-heads of chalcedony.
At his side, in all her beauty,
Sat the lovely Minnehaha,
Sat his daughter, Laughing Water,
Plaiting mats of flags and rushes;
Of the past the old man's thoughts were,
And the maiden's of the future.

He was thinking, as he sat there,
Of the days when with such arrows
He had struck the deer and bison,
On the Muskoday, the meadow;
Shot the wild goose, flying southward,
On the wing, the clamorous Wawa;
Thinking of the great war-parties,
How they came to buy his arrows,
Could not fight without his arrows.
Ah, no more such noble warriors
Could be found on earth as they were!
Now the men were all like women,
Only used their tongues for weapons!
She was thinking of a hunter,
From another tribe and country,
Young and tall and very handsome,
Who one morning, in the spring-time,
Came to buy her father's arrows,
Sat and rested in the wigwam,
Lingered long about the doorway,
Looking back as he departed.
She had heard her father praise him,
Praise his courage and his wisdom;
Would he come again for arrows
To the Falls of Minnehaha?
On the mat her hands lay idle,
And her eyes were very dreamy.
Through their thoughts they heard a
footstep,

Heard a rustling in the branches,
And with glowing cheek and forehead,
With the deer upon his shoulders,
Suddenly from out the woodlands
Hiawatha stood before them.

Straight the ancient Arrow-maker
Looked up gravely from his labor,
Laid aside the unfinished arrow,
Bade him enter at the doorway,
Saying, as he rose to meet him,
'Hiawatha, you are welcome!'

At the feet of Laughing Water
Hiawatha laid his burden,

Threw the red deer from his shoulders;
And the maiden looked up at him,
Looked up from her mat of rushes,
Said with gentle look and accent,
'You are welcome, Hiawatha !'

Very spacious was the wigwam,
Made of deer-skin dressed and whitened,

With the Gods of the Dacotahs
Drawn and painted on its curtains,
And so tall the doorway, hardly
Hiawatha stooped to enter,
Hardly touched his eagle-feathers
As he entered at the doorway.

Then uprose the Laughing Water,
From the ground fair Minnehaha
Laid aside her mat unfinished,
Brought forth food and set before them,
Water brought them from the brooklet,
Gave them food in earthen vessels,

Gave them drink in bowls of bass-wood,
Listened while the guest was speaking,
Listened while her father answered,
But not once her lips she opened,
Not a single word she uttered.

Yes, as in a dream she listened
To the words of Hiawatha,
As he talked of old Nokomis,
Who had nursed him in his childhood,
As he told of his companions,
Chibiabos, the musician,

And the very strong man, Kwasind,
And of happiness and plenty
In the land of the Ojibways,
In the pleasant land and peaceful.
After many years of warfare,
Many years of strife and bloodshed,
There is peace between the Ojibways
And the tribe of the Dacotahs.'
Thus continued Hiawatha,
And then added, speaking slowly,
That this peace may last forever,
And our hands be clasped more closely,
And our hearts be more united,
Give me as my wife this maiden,
Minnehaha, Laughing Water,
Loveliest of Dacotah women!

And the ancient Arrow-maker
Paused a moment ere he answered,
Smoked a little while in silence,
Looked at Hiawatha proudly,
Fondly looked at Laughing Water,
And made answer very gravely:
'Yes, if Minnehaha wishes;
Let your heart speak, Minnehaha!'

And the lovely Laughing Water
Seemed more lovely as she stood there,
Neither willing nor reluctant,
As she went to Hiawatha,
Softly took the seat beside him,
While she said, and blushed to say it,
'I will follow you, my husband!
This was Hiawatha's wooing!
Thus it was he won the daughter
Of the ancient Arrow-maker,
In the land of the Dacotahs!"

The Song of Hiawatha moves throughout in this beautiful and simple measure. Except in good hands, an instrument so artless would most likely fail. The line would tire on the

ear. But Mr. Longfellow has contrived to give variety even to a measure evidently chosen for its sad and tender monotone. The verse is constructed (sometimes with a sudden check at the end of a line, like an organ stop or the blow of a hammer, - sometimes with a dropping syllable, like water rushing over a ledge of rock, which throws the music over into the next line) so that despite its sameness of cadence it scarcely palls on the ear even at the five thousandth verse. Many sections of the poem tempt us to extract, and we scarcely know how to resist the poetic seductions of the "Song of the Evening Star," a very pretty legend of the "Blessing the Corn Fields," and of "The White Man's Foot." We select the last, on account of its poetic beauty, and for the striking figures of the two bold impersonations - Winter and Spring-with which it opens.

"In his lodge beside a river,
Close beside a frozen river,
Sat an old man, sad and lonely.
White his hair was as a snow-drift;
Dull and low his fire was burning,
And the old man shook and trembled,
Folded in his Waubewyon,
In his tattered white-skin-wrapper,
Hearing nothing but the tempest
As it roared along the forest,
Seeing nothing but the snow-storm,
As it whirled and hissed and drifted.
All the coals were white with ashes,
And the fire was slowly dying,
As a young man, walking lightly,
At the open doorway entered.
Red with blood of youth his cheeks were,
Soft his eyes, as stars in Spring-time,
Bound his forehead was with grasses,
Bound and plumed with scented grasses;
On his lips a smile of beauty,
Filling all the lodge with sunshine,
In his hand a bunch of blossoms
Filling all the lodge with sweetness.
Ah, my son!' exclaimed the old man,
'Happy are my eyes to see you.
Sit here on the mat beside me,
Sit here by the dying embers,
Let us pass the night together.
Tell me of your strange adventures,
Of the lands where you have travelled;
I will tell you of my prowess,
Of my many deeds of wonder.'

From his pouch he drew his peace-pipe,
Very old and strangely fashioned;
Made of red stone was the pipe-head,
And the stem a reed with feathers;
Filled the pipe with bark of willow,
Placed a burning coal upon it;

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Gave it to his guest, the stranger,
And began to speak in this wise:
When I blow my breath about me,
When I breathe upon the landscape,
Motionless are all the rivers,
Hard as stone becomes the water!

And the young man answered, smiling:
When I blow my breath about me,
When I breathe upon the landscape,
Flowers spring up o'er all the meadows,
Singing, onward rush the rivers!'

When I shake my hoary tresses,'
Said the old man, darkly frowning,
All the land with snow is covered;
All the leaves from all the branches
Fall and fade and die and wither,
For I breathe, and lo! they are not.
From the waters and the marshes
Rise the wild goose and the heron,
Fly away to distant regions,
For I speak, and lo! they are not.
And where'er my footsteps wander,
All the wild beasts of the forests
Hide themselves in holes and caverns,
And the earth becomes as flintstone!

When I shake my flowing ringlets,'
Said the young man, softly laughing,
'Showers of rain fall warm and welcome,
Plants lift up their heads rejoicing,
Back unto their lakes and marshes
Come the wild goose and the heron,
Homeward shoots the arrowy swallow,
Sing the blue-bird and the robin,
And where'er my footsteps wander,
All the meadows wave with blossoms,
All the woodlands ring with music,
All the trees are dark with foliage!'

While they spake, the night departed; From the distant realms of Wabun, From his shining lodge of silver, Like a warrior robed and painted, Came the sun, and said, Behold me! Gheezis, the great sun, behold me!'

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Then the old man's tongue was speechless,

And the air grew warm and pleasant,
And upon the wigwam sweetly
Sang the blue-bird and the robin,
And the stream began to murmur,
And a scent of growing grasses
Through the lodge was gently wafted.
And Segwun, the youthful stranger,
More distinctly in the daylight
Saw the icy face before him;
It was Peboan, the Winter!

From his eyes the tears were flowing,
As from melting lakes the streamlets,
And his body shrunk and dwindled
As the shouting sun ascended,
Till into the air it faded,
Till into the ground it vanished,
And the young man saw before him,
On the hearth-stone of the wigwam,

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