Sad is THE GRAVES OF A HOUSEHOLD. THEY grew in beauty, side by side, The same fond mother bent at night She had each folded flower in sight— One, 'midst the forest of the west, The sea, the blue lone sea, hath one- One sleeps where southern vines are drest, He wrapt his colours round his breast And one-o'er her the myrtle showers And parted thus they rest, who play'd They that with smiles lit up the hall, And cheer'd with song the hearth Alas! for love, if thou wert all, MOZART'S REQUIEM. [A short time before the death of Mozart, a stranger, of remarkable appearance, and dressed in deep mourning, called at his house, and requested him to prepare a requiem, in his best style, for the funeral of a distinguished person. The sensitive imagination of the composer immediately seized upon the circumstance as an omen of his own fate; and the nervous anxiety with which he laboured to fulfil the task, had the effect of realizing his impression. He died within a few days after completing this magnificent piece of music, which was performed at his interment.] "These birds of Paradise but long to flee Back to their native mansion." Prophecy of Dante. A REQUIEM!-and for whom? For beauty in its bloom? For valour fallen-a broken rose or sword? A dirge for king or chief, With pomp of stately grief, Banner, and torch, and waving plume deplored? Not so- -it is not so! The warning voice I know, From other worlds a strange mysterious tone; It call'd me to prepare, One more then, one more strain, Mighty the troubled spirit to inthrall! And let me breathe my dower Of passion and of power Full into that deep lay-the last of all! The last!—and I must go From this bright world below, This realm of sunshine, ringing with sweet sound! Must leave its festal skies, With all their melodies, That ever in my breast glad echoes found! Yet have I known it long: Too restless and too strong Within this clay hath been th' o'ermastering flame; Swift thoughts, that came and went, Like torrents o'er me sent, Have shaken, as a reed, my thrilling frame. Like perfumes on the wind, Which none may stay or bind, The beautiful comes floating through my soul; The spirit to detain Of the deep harmonies that past me roll! Therefore disturbing dreams Trouble the secret streams And founts of music that o'erflow my Something far more divine Than may on earth be mine, breast; Haunts my worn heart, and will not let me rest. Shall I then fear the tone That breathes from worlds unknown?— Surely these feverish aspirations there Shall grasp their full desire, And this unsettled fire Burn calmly, brightly, in immortal air. One more then, one more strain ; A rich, and deep, and passionate farewell! With fear, hope, trembling, fraught, Into the notes that o'er my dust shall swell. THE IMAGE IN LAVA.* THOU thing of years departed! Since here the mournful seal was set Temple and tower have moulder'd, And childhood's fragile image, Babe! wert thou brightly slumbering Upon thy mother's breast, When suddenly the fiery tomb A strange, dark fate o'ertook you, Fair babe and loving heart! Haply of that fond bosom On ashes here impress'd, * The impression of a woman's form, with an infant clasped to the bosom, found at the uncovering of Hercula |