The Modernist Shakespeare: Critical Texts in a Material WorldClarendon Press, 1991 - Всего страниц: 262 Every epoch recreates its classical icons--and for literary culture no icon is more central or more protean than Shakespeare. Even though finding the authentic Shakespeare has been a goal of scholarship since the eighteenth century, he has always been constructed as a contemporary author. In this critical study, Grady charts the construction of Shakespeare as a twentieth-century text, redirecting "new historicist" methods to an investigation of the social roots of contemporary Shakespeare criticism. Beginning with the formation of professionalism as an ideology in the Victorian Age, this theoretically-informed study describes widespread attempts to save the values of the cultural tradition, in reformulated Modernist guise, from the threat of professionalist postivism in modern universities. |
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Стр. 17
... turn became a major source for Habermas . The connec- tion was obscure at first precisely because Habermas had in his ' lin- guistic turn ' abandoned the Nietzschean aspects of Horkheimer and Adorno's Dialectic of Enlightenment that ...
... turn became a major source for Habermas . The connec- tion was obscure at first precisely because Habermas had in his ' lin- guistic turn ' abandoned the Nietzschean aspects of Horkheimer and Adorno's Dialectic of Enlightenment that ...
Стр. 29
... turn is best understood as a key aspect of the global process we can conveniently call modernization . Modernism is the particular aesthetic paradigm that has until very recently dominated twentieth - century art and literature , and it ...
... turn is best understood as a key aspect of the global process we can conveniently call modernization . Modernism is the particular aesthetic paradigm that has until very recently dominated twentieth - century art and literature , and it ...
Стр. 165
... turn , however , to the strength rather than the weakness of Holderness on Tillyard . At the centre of Holderness's ... turning him away was deluded . Its delusions will probably be accounted for , in the later years , through the facts ...
... turn , however , to the strength rather than the weakness of Holderness on Tillyard . At the centre of Holderness's ... turning him away was deluded . Its delusions will probably be accounted for , in the later years , through the facts ...
Содержание
Introduction I | 1 |
Critical Convergence | 14 |
The Rise of Professionalism | 28 |
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The Modernist Shakespeare: Critical Texts in a Material World Hugh Grady Недоступно для просмотра - 1994 |
Часто встречающиеся слова и выражения
academic aesthetic American analysis apparent approach argued attempt become beginning British Brooks called Cambridge central century changes chapter claim clear clearly complex concept constituted contemporary context continuity course criticism critique culture deconstruction defined developed discourse discussion disintegration early effect Eliot Elizabethan English English studies essay example fact Falstaff feminist Henry human idea ideology important influence institutions interest interpretation kind Knight late less literary literature London major Marxism material meaning method Modernism Modernist nature noted notion organic original paradigm particular perhaps period play poetry political position Postmodern practice present problem produced professional question reading reason recent relation Renaissance Review seems seen sense Shakespeare studies Shakespearian shift social society spatial structure suggested themes theoretical theory Tillyard Timon tion tradition turn unity University Press values Wilson writing York