The Modernist Shakespeare: Critical Texts in a Material WorldClarendon Press, 1991 - Всего страниц: 262 Every epoch recreates its classical icons--and for literary culture no icon is more central or more protean than Shakespeare. Even though finding the authentic Shakespeare has been a goal of scholarship since the eighteenth century, he has always been constructed as a contemporary author. In this critical study, Grady charts the construction of Shakespeare as a twentieth-century text, redirecting "new historicist" methods to an investigation of the social roots of contemporary Shakespeare criticism. Beginning with the formation of professionalism as an ideology in the Victorian Age, this theoretically-informed study describes widespread attempts to save the values of the cultural tradition, in reformulated Modernist guise, from the threat of professionalist postivism in modern universities. |
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Стр. 6
... ideology which apparently produces a satisfying sense of phallic potency ) —and most of all , because a study which emphasizes the profound influence of institutions and ideologies on critical discourse would seem to be self ...
... ideology which apparently produces a satisfying sense of phallic potency ) —and most of all , because a study which emphasizes the profound influence of institutions and ideologies on critical discourse would seem to be self ...
Стр. 8
... ideology and interpellation which some critics have proposed to account for the relation between literary criticism and society . This in turn will lay the ground for a ... ideology 8 Introduction Ideology and Aesthetics in Criticism.
... ideology and interpellation which some critics have proposed to account for the relation between literary criticism and society . This in turn will lay the ground for a ... ideology 8 Introduction Ideology and Aesthetics in Criticism.
Стр. 9
... ideology is , for Althusser , ' without history ' . The impact of Enlightenment on the form of belief - systems is much better captured by the Frankfurt theorists . In this view , which I adopt here , ideologies came into existence in ...
... ideology is , for Althusser , ' without history ' . The impact of Enlightenment on the form of belief - systems is much better captured by the Frankfurt theorists . In this view , which I adopt here , ideologies came into existence in ...
Содержание
Introduction I | 1 |
Critical Convergence | 14 |
The Rise of Professionalism | 28 |
Авторские права | |
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The Modernist Shakespeare: Critical Texts in a Material World Hugh Grady Недоступно для просмотра - 1994 |
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academic aesthetic American analysis apparent approach argued attempt become beginning British Brooks called Cambridge central century changes chapter claim clear clearly complex concept constituted contemporary context continuity course criticism critique culture deconstruction defined developed discourse discussion disintegration early effect Eliot Elizabethan English English studies essay example fact Falstaff feminist Henry human idea ideology important influence institutions interest interpretation kind Knight late less literary literature London major Marxism material meaning method Modernism Modernist nature noted notion organic original paradigm particular perhaps period play poetry political position Postmodern practice present problem produced professional question reading reason recent relation Renaissance Review seems seen sense Shakespeare studies Shakespearian shift social society spatial structure suggested themes theoretical theory Tillyard Timon tion tradition turn unity University Press values Wilson writing York