The Modernist Shakespeare: Critical Texts in a Material WorldClarendon Press, 1991 - Всего страниц: 262 Every epoch recreates its classical icons--and for literary culture no icon is more central or more protean than Shakespeare. Even though finding the authentic Shakespeare has been a goal of scholarship since the eighteenth century, he has always been constructed as a contemporary author. In this critical study, Grady charts the construction of Shakespeare as a twentieth-century text, redirecting "new historicist" methods to an investigation of the social roots of contemporary Shakespeare criticism. Beginning with the formation of professionalism as an ideology in the Victorian Age, this theoretically-informed study describes widespread attempts to save the values of the cultural tradition, in reformulated Modernist guise, from the threat of professionalist postivism in modern universities. |
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... discourse is the over- determined product of a number of competing and contradictory aspects of that differentiation , including but not limited to the aes- thetic . My goal here is to define the terms , through the concrete analysis of ...
... discourse is the over- determined product of a number of competing and contradictory aspects of that differentiation , including but not limited to the aes- thetic . My goal here is to define the terms , through the concrete analysis of ...
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... discourse and techniques which , put in the context of similar texts , can be understood to make up dispersed parts of separate ' discourses ' as described by Foucault.1 Any critical text can be assumed to arise from some interplay of ...
... discourse and techniques which , put in the context of similar texts , can be understood to make up dispersed parts of separate ' discourses ' as described by Foucault.1 Any critical text can be assumed to arise from some interplay of ...
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... discourse has never been an unmediated expression of a prevailing aesthetic paradigm . It came into existence in something like a recognizably modern form in the Enlightenment , but in the Romantic period split off sharply from what was ...
... discourse has never been an unmediated expression of a prevailing aesthetic paradigm . It came into existence in something like a recognizably modern form in the Enlightenment , but in the Romantic period split off sharply from what was ...
Содержание
Introduction I | 1 |
Critical Convergence | 14 |
The Rise of Professionalism | 28 |
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The Modernist Shakespeare: Critical Texts in a Material World Hugh Grady Недоступно для просмотра - 1994 |
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academic aesthetic American analysis apparent approach argued attempt become beginning British Brooks called Cambridge central century changes chapter claim clear clearly complex concept constituted contemporary context continuity course criticism critique culture deconstruction defined developed discourse discussion disintegration early effect Eliot Elizabethan English English studies essay example fact Falstaff feminist Henry human idea ideology important influence institutions interest interpretation kind Knight late less literary literature London major Marxism material meaning method Modernism Modernist nature noted notion organic original paradigm particular perhaps period play poetry political position Postmodern practice present problem produced professional question reading reason recent relation Renaissance Review seems seen sense Shakespeare studies Shakespearian shift social society spatial structure suggested themes theoretical theory Tillyard Timon tion tradition turn unity University Press values Wilson writing York