The Modernist Shakespeare: Critical Texts in a Material WorldClarendon Press, 1991 - Всего страниц: 262 Every epoch recreates its classical icons--and for literary culture no icon is more central or more protean than Shakespeare. Even though finding the authentic Shakespeare has been a goal of scholarship since the eighteenth century, he has always been constructed as a contemporary author. In this critical study, Grady charts the construction of Shakespeare as a twentieth-century text, redirecting "new historicist" methods to an investigation of the social roots of contemporary Shakespeare criticism. Beginning with the formation of professionalism as an ideology in the Victorian Age, this theoretically-informed study describes widespread attempts to save the values of the cultural tradition, in reformulated Modernist guise, from the threat of professionalist postivism in modern universities. |
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Critical Texts in a Material World Hugh Grady. This entailed fundamental changes in the audience addressed , the social purpose , and the forms of writing on Shakespeare - changes that have been partially obscured because of many ...
Critical Texts in a Material World Hugh Grady. This entailed fundamental changes in the audience addressed , the social purpose , and the forms of writing on Shakespeare - changes that have been partially obscured because of many ...
Стр. 75
... change in literary periods , which I am positing as fundamental to changes in twentieth - century Shakespeare criticism beginning with Knight . Once those theoretical clarifications are established , I will turn to the concrete ...
... change in literary periods , which I am positing as fundamental to changes in twentieth - century Shakespeare criticism beginning with Knight . Once those theoretical clarifications are established , I will turn to the concrete ...
Стр. 79
... changes in the aesthetic paradigms , the explanation for the periodic paradigm shifts constitutive of literary ... change is essentially a crisis of depletion , which can only be solved by a new paradigm.8 Of course this sense of ...
... changes in the aesthetic paradigms , the explanation for the periodic paradigm shifts constitutive of literary ... change is essentially a crisis of depletion , which can only be solved by a new paradigm.8 Of course this sense of ...
Содержание
Introduction I | 1 |
Critical Convergence | 14 |
The Rise of Professionalism | 28 |
Авторские права | |
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The Modernist Shakespeare: Critical Texts in a Material World Hugh Grady Недоступно для просмотра - 1994 |
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academic aesthetic American analysis apparent approach argued attempt become beginning British Brooks called Cambridge central century changes chapter claim clear clearly complex concept constituted contemporary context continuity course criticism critique culture deconstruction defined developed discourse discussion disintegration early effect Eliot Elizabethan English English studies essay example fact Falstaff feminist Henry human idea ideology important influence institutions interest interpretation kind Knight late less literary literature London major Marxism material meaning method Modernism Modernist nature noted notion organic original paradigm particular perhaps period play poetry political position Postmodern practice present problem produced professional question reading reason recent relation Renaissance Review seems seen sense Shakespeare studies Shakespearian shift social society spatial structure suggested themes theoretical theory Tillyard Timon tion tradition turn unity University Press values Wilson writing York