The Modernist Shakespeare: Critical Texts in a Material WorldClarendon Press, 1991 - Всего страниц: 262 Every epoch recreates its classical icons--and for literary culture no icon is more central or more protean than Shakespeare. Even though finding the authentic Shakespeare has been a goal of scholarship since the eighteenth century, he has always been constructed as a contemporary author. In this critical study, Grady charts the construction of Shakespeare as a twentieth-century text, redirecting "new historicist" methods to an investigation of the social roots of contemporary Shakespeare criticism. Beginning with the formation of professionalism as an ideology in the Victorian Age, this theoretically-informed study describes widespread attempts to save the values of the cultural tradition, in reformulated Modernist guise, from the threat of professionalist postivism in modern universities. |
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Стр. 70
... Shakespeare specialist . He was a prolific - and increasingly testy - author of books , mostly on Shakespeare . He had a wide follow- ing in American Shakespeare studies , although , like J. M. Robertson , he lived to see himself go out ...
... Shakespeare specialist . He was a prolific - and increasingly testy - author of books , mostly on Shakespeare . He had a wide follow- ing in American Shakespeare studies , although , like J. M. Robertson , he lived to see himself go out ...
Стр. 192
... studies , had much less direct impact on Shakespeare studies . If there were several structural- ist or semiotic studies of Shakespeare , 3 the field as a whole proved remarkably resistant to this French import . Shakespeare criticism ...
... studies , had much less direct impact on Shakespeare studies . If there were several structural- ist or semiotic studies of Shakespeare , 3 the field as a whole proved remarkably resistant to this French import . Shakespeare criticism ...
Стр. 236
... Shakespeare studies was a direct outcome of the influence of that movement . Its grounding in a social ' interest ' ( the emancipation of women ) is overt , again in direct contradistinction to deconstruction and to American new ...
... Shakespeare studies was a direct outcome of the influence of that movement . Its grounding in a social ' interest ' ( the emancipation of women ) is overt , again in direct contradistinction to deconstruction and to American new ...
Содержание
Introduction I | 1 |
Critical Convergence | 14 |
The Rise of Professionalism | 28 |
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The Modernist Shakespeare: Critical Texts in a Material World Hugh Grady Недоступно для просмотра - 1994 |
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academic aesthetic American analysis apparent approach argued attempt become beginning British Brooks called Cambridge central century changes chapter claim clear clearly complex concept constituted contemporary context continuity course criticism critique culture deconstruction defined developed discourse discussion disintegration early effect Eliot Elizabethan English English studies essay example fact Falstaff feminist Henry human idea ideology important influence institutions interest interpretation kind Knight late less literary literature London major Marxism material meaning method Modernism Modernist nature noted notion organic original paradigm particular perhaps period play poetry political position Postmodern practice present problem produced professional question reading reason recent relation Renaissance Review seems seen sense Shakespeare studies Shakespearian shift social society spatial structure suggested themes theoretical theory Tillyard Timon tion tradition turn unity University Press values Wilson writing York