The loophole grates, where captives weep,
The flanking walls that round it sweep,

In yellow lustre shone.1

The warriors on the turrets high,

Moving athwart the evening sky,"
Seem'd forms of giant height:
Their armour, as it caught the rays,
Flash'd back again the western blaze,3
In lines of dazzling light.

II.

Saint George's banner, broad and gay,
Now faded, as the fading ray

Less bright, and less, was flung;

The evening gale had scarce the power
To wave it on the Donjon Tower,
So heavily it hung.

The scouts had parted on their search, .
The Castle gates were barr'd;

stance we derive the modern and restricted use of the word dungeon. Ducange (voce DUNJO) conjectures plausibly, that the name is derived from these keeps being usually built upon a hill, which in Celtic is called DUN. Borlase supposes the word came from the darkness of the apartments in these towers, which were thence figuratively called Dungeons; thus deriving the ancient word from the modern application of it.

1 [In the MS. the first line has "hoary keep; " the fourth 66 donjon steep; "the seventh "ruddy lustre."]

2 [MS. "Eastern sky."]

8 [MS." Evening blaze."]

Above the gloomy portal arch,
Timing his footsteps to a march,

The Warder kept his guard;
Low humming, as he paced along,
Some ancient Border gathering song.

III.

A distant trampling sound he hears;
He looks abroad, and soon appears,
O'er Horncliff-hill a plump1 of spears,
Beneath a pennon gay;

A horseman, darting from the crowd,
Like lightning from a summer cloud,
Spurs on his mettled courser proud,
Before the dark array.
Beneath the sable palisade,
That closed the Castle barricade,
His buglehorn he blew ;

The warder hasted from the wall,
And warn'd the Captain in the hall,
For well the blast he knew ;
And joyfully that knight did call,
To sewer, squire, and seneschal.

IV.

"Now broach ye a pipe of Malvoisie,
Bring pasties of the doe,

1 This word properly applies to a flight of water-fowl; but

is applied, by analogy, to a body of horse.

"There is a knight of the North Country,
Which leads a lusty plump of spears."

Flodden Field.

And quickly make the entrance free,
And bid my heralds ready be,
And every minstrel sound his glee,
And all our trumpets blow;
And, from the platform, spare ye not
To fire a noble salvo-shot;1

Lord MARMION waits below!" Then to the Castle's lower ward Sped forty yeomen tall, The iron-studded gates unbarr'd, Raised the portcullis' ponderous guard,

The lofty palisade unsparr'd,

And let the drawbridge fall.

V.

Along the bridge Lord Marmion rode,
Proudly his red-roan charger trode,
His helm hung at the saddlebow;
Well by his visage you might know
He was a stalworth knight, and keen,
And had in many a battle been;
The scar on his brown cheek reveal'd2
A token true of Bosworth field;
His eyebrow dark, and eye of fire,
Show'd spirit proud, and prompt to ire;
Yet lines of thought upon his cheek
Did deep design and counsel speak.

1 [MS.-" A welcome shot."]

2 [MS.-" "On his brown cheek an azure scar Bore token true of Bosworth war."]

His forehead, by his casque worn bare,
His thick moustache and curly hair,
Coal-black, and grizzled here and there,
But more through toil than age;

His square-turn'd joints, and strength of limb,
Show'd him no carpet knight so trim,
But in close fight a champion grim,
In camps a leader sage.1

VI.

Well was he arm'd from head to heel,
In mail and plate of Milan steel; 2

1 ["Marmion is to Deloraine what Tom Jones is to Joseph Andrews: the varnish of higher breeding nowhere diminishes the prominence of the features; and the minion of a king is as light and sinewy a cavalier as the Borderer-rather less ferocious-more wicked, not less fit for the hero of a ballad, and much more so for the hero of a regular poem.”—GEORGE ELLIS.]

2 The artists of Milan were famous in the middle ages for their skill in armoury, as appears from the following passage, in which Froissart gives an account of the preparations made by Henry, Earl of Hereford, afterwards Henry IV., and Thomas, Duke of Norfolk, Earl Marischal, for their proposed combat in the lists at Coventry: "These two lords made ample provision of all things necessary for the combat; and the Earl of Derby sent off messengers to Lombardy, to have armour from Sir Galeas, Duke of Milan. The Duke complied with joy, and gave the knight, called Sir Francis, who had brought the message, the choice of all his armour for the Earl of Derby. When he had selected what he wished for in plaited and mail armour, the Lord of Milan, out of his abundant love for the Earl, ordered four of the best armourers in Milan to accompany the knight to England, that the Earl of Derby might be more completely armed."-JOHNES's Froissart, vol. iv. p. 597.

But his strong helm, of mighty cost,

Was all with burnish'd gold emboss'd;
Amid the plumage of the crest,

A falcon hover'd on her nest,

With wings outspread, and forward breast;
E'en such a falcon, on his shield,
Soar'd sable in an azure field:

The golden legend bore aright,
Who checks at me, to death is dight.1

1 The crest and motto of Marmion are borrowed from the following story: Sir David de Lindsay, first Earl of Crauford, was, among other gentlemen of quality, attended, during a visit to London, in 1390, by Sir William Dalzell, who was, according to my authority, Bower, not only excelling in wisdom, but also of a lively wit. Chancing to be at the court, he there saw Sir Piers Courtenay, an English knight, famous for skill in tilting, and for the beauty of his person, parading the palace, arrayed in a new mantle, bearing for device an embroidered falcon, with this rhyme,

"I bear a falcon, fairest of flight,

Whoso pinches at her, his death is dight, 2

The Scottish knight, being a wag, appeared next day in a dress exactly similar to that of Courtenay, but bearing a magpie instead of the falcon, with a motto ingeniously contrived to rhyme to the vaunting inscription of Sir Piers:—

"I bear a pie picking at a peice,

Whoso picks at her, I shall pick at his nese,4

2 Prepared.

8 Armour.

In faith."

4 Nose.

This affront could only be expiated by a just with sharp lances. In the course, Dalzell left his helmet unlaced, so that it gave way at the touch of his antagonist's lance, and he thus