Elements of CriticismA.S. Barnes & Burr, 1859 - Всего страниц: 486 |
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Стр. 8
... Comparisons 342 66 XX . Figures 361 Sect . 1. Personification 861 66 2. Apostrophe . 373 66 66 6. Metaphor and Allegory 3. Hyperbole . " 4. The Means or Instrument conceived to be the agent ...... 5. A figure which , among related ...
... Comparisons 342 66 XX . Figures 361 Sect . 1. Personification 861 66 2. Apostrophe . 373 66 66 6. Metaphor and Allegory 3. Hyperbole . " 4. The Means or Instrument conceived to be the agent ...... 5. A figure which , among related ...
Стр. 25
... . - Comparison witn organie or corporeal pleasures . - The use that profligate men often make of the fine arts . eye and the ear , disregarding the inferior senses . 2 NATURE , DESIGN , ETC. , OF THE PRESENT WORK . 25.
... . - Comparison witn organie or corporeal pleasures . - The use that profligate men often make of the fine arts . eye and the ear , disregarding the inferior senses . 2 NATURE , DESIGN , ETC. , OF THE PRESENT WORK . 25.
Стр. 29
... arts . 49. Whence the rules of criticism should be derived . — A comparison of former ages with the present on this poin order to make pleasant impressions , we ought , as NATURE , DESIGN , ETC. , OF THE PRESENT WORK . 2J.
... arts . 49. Whence the rules of criticism should be derived . — A comparison of former ages with the present on this poin order to make pleasant impressions , we ought , as NATURE , DESIGN , ETC. , OF THE PRESENT WORK . 2J.
Стр. 34
... comparison between the synthetic and analytic methods of reasoning the synthetic method , descending regularly from principles to their consequences , is more agreeable to the strict- ness of order ; but in following the opposite course ...
... comparison between the synthetic and analytic methods of reasoning the synthetic method , descending regularly from principles to their consequences , is more agreeable to the strict- ness of order ; but in following the opposite course ...
Стр. 75
... comparison between pleasant passions of differ- ent kinds , we conceive some of them to be gross , some refined . Those pleasures of external sense that are felt as at the organ of sense , are conceived to be corporeal or gross ( see ...
... comparison between pleasant passions of differ- ent kinds , we conceive some of them to be gross , some refined . Those pleasures of external sense that are felt as at the organ of sense , are conceived to be corporeal or gross ( see ...
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A. S. BARNES accent action Æneid agreeable appear beauty blank verse burlesque Cæsar chapter circumstance colors congruity connected degree dignity disagreeable distinguished effect elevation emotion raised epic epic poem epic poetry example expression external signs Falstaff feeling figure figure of speech garden give grandeur habit hath Hence Henry IV Hexameter Hudibras human ideas Iliad imagination imitation impression instances Julius Cæsar kind language less manner means melody metaphor mind motion nature never object observation ornaments Othello pain Paradise Lost passion pause peculiar perceive perceptions person pleasant emotion pleasure poem poetry principle produce produceth proper propriety qualities reader reason relation relish remarkable resemblance respect rhyme Richard II ridicule rule sense sensible sentiments Shakspeare sight simile sound spectator speech sublime syllables taste termed thee things thou thought tion tone uniformity variety verse words writers
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Стр. 94 - As if increase of appetite had grown By what it fed on; and yet, within a month, Let me not think on't: Frailty, thy name is woman! A little month, or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears; why she, even she, — O God ! a beast, that wants discourse of reason...
Стр. 56 - O, what a fall was there, my countrymen ! Then I, and you, and all of us fell down, Whilst bloody treason flourish'd over us. O, now you weep ; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what weep you, when you but behold Our Caesar's vesture wounded ? Look you here ! Here is himself, marr'd, as you see, with traitors.
Стр. 347 - The current, that with gentle murmur glides, Thou know'st, being stopp'd, impatiently doth rage ; But, when his fair course is not hindered, He makes sweet music with the enamel'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage ; And so by many winding nooks he strays, With willing sport, to the wild ocean...
Стр. 92 - I cannot tell what you and other men Think of this life, but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Стр. 92 - Help me, Cassius, or I sink.' I, as ./Eneas, our great ancestor, Did from the flames of Troy upon his shoulder The old Anchises bear...
Стр. 213 - MAN is the only animal that laughs and weeps ; for he is the only animal that is struck with the difference between what things are, and what they ought to be.
Стр. 20 - The crow doth sing as sweetly as the lark, When neither is attended ; and, I think, The nightingale, if she should sing by day, When every goose is cackling, would be thought No better a musician than the wren.
Стр. 349 - He scarce had ceased, when the superior fiend Was moving toward the shore ; his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fesole Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Стр. 146 - To see this fleet upon the ocean move, Angels drew wide the curtains of the skies ; And Heaven, as if there wanted lights above, For tapers made two glaring comets rise.
Стр. 349 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.