The New Leader, Том 81New Leader Pub. Association, 1998 |
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Стр. 18
... film's best scenes comes toward the beginning : The prisoners ' arraignment is interrupt- ed by the slave owners , the U.S. military and petitioners from the Spanish govern- ment , all of whom insist they have the right to seize the ...
... film's best scenes comes toward the beginning : The prisoners ' arraignment is interrupt- ed by the slave owners , the U.S. military and petitioners from the Spanish govern- ment , all of whom insist they have the right to seize the ...
Стр. 19
... film of triumph and redemption about the Holocaust . It seems logical that he would gravitate toward an antebellum slave nar- rative that had a happy ending . Amistad's ideas of righteousness , again like those in Schindler's List ...
... film of triumph and redemption about the Holocaust . It seems logical that he would gravitate toward an antebellum slave nar- rative that had a happy ending . Amistad's ideas of righteousness , again like those in Schindler's List ...
Стр. 20
... film financed with dollars was fair game . Where , then , did the boundaries begin and end ? Akira Kurosawa's quintessen- tially Japanese Ran and Dreams were funded in part by American companies . Following the Institute's logic , these ...
... film financed with dollars was fair game . Where , then , did the boundaries begin and end ? Akira Kurosawa's quintessen- tially Japanese Ran and Dreams were funded in part by American companies . Following the Institute's logic , these ...
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