Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - Всего страниц: 284 "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
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Стр. 57
... scenes of speeches set against a picturesque background . The audience is drawn in by the wrestling scene of act 1 - and here the reviewer's account of the tumultuous applause of the au- dience for Macready is apt - in the hope that ...
... scenes of speeches set against a picturesque background . The audience is drawn in by the wrestling scene of act 1 - and here the reviewer's account of the tumultuous applause of the au- dience for Macready is apt - in the hope that ...
Стр. 228
... scene : the language of pastoral , the markedly artificial poetic diction , and the presence of the poet in the scene contrast with the mundane empirical facts . But it is important to keep in mind that the entire poem is inspired by a ...
... scene : the language of pastoral , the markedly artificial poetic diction , and the presence of the poet in the scene contrast with the mundane empirical facts . But it is important to keep in mind that the entire poem is inspired by a ...
Стр. 257
... scene when we see Guido's uncle's white horse painted with green anti - Semitic and fascist slogans . Later in the film , on this same horse , Guido rides into his uncle's restaurant , interrupts Dora's engagement party , and rescues ...
... scene when we see Guido's uncle's white horse painted with green anti - Semitic and fascist slogans . Later in the film , on this same horse , Guido rides into his uncle's restaurant , interrupts Dora's engagement party , and rescues ...
Содержание
Preface | 9 |
How Genre Criticism Leads to Ethics | 49 |
Textual Ideology in Aphra Behns Oroonoko | 70 |
Авторские права | |
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Ограниченный просмотр - 2002 |
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