Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - Всего страниц: 284 "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
Результаты поиска по книге
Результаты 1 – 3 из 81
Стр. 29
... play - within - a - play , that is , a fully framed play . Since 1773 , how- ever , all editions have excluded these scenes from the text in the belief that although it is likely that Shakespeare originally wrote some equivalent of them ...
... play - within - a - play , that is , a fully framed play . Since 1773 , how- ever , all editions have excluded these scenes from the text in the belief that although it is likely that Shakespeare originally wrote some equivalent of them ...
Стр. 30
... play , like that of Pope and Johnson , that interrupts the action of the play with Sly's vulgar comments and , most importantly , shows him at the end of the play drunkenly staggering off to whip his wife , encourages the audience to ...
... play , like that of Pope and Johnson , that interrupts the action of the play with Sly's vulgar comments and , most importantly , shows him at the end of the play drunkenly staggering off to whip his wife , encourages the audience to ...
Стр. 104
... play from its original cast and production circumstances , addressing the problems posed for a modern audience by topicality and eighteenth - century values . What might a director make the play mean , while remaining within the limits ...
... play from its original cast and production circumstances , addressing the problems posed for a modern audience by topicality and eighteenth - century values . What might a director make the play mean , while remaining within the limits ...
Содержание
Preface | 9 |
How Genre Criticism Leads to Ethics | 49 |
Textual Ideology in Aphra Behns Oroonoko | 70 |
Авторские права | |
Не показаны другие разделы: 8
Другие издания - Просмотреть все
Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Ограниченный просмотр - 2002 |
Часто встречающиеся слова и выражения
alternative analysis appearance aristocratic artistic assertion attempt beauty Beaux becomes beginning Behn Behn's believe called century chapter character clear comedy conception concern conclusion consider continues conventions critical culture death demonstrate discussion double drama Dryden editors eighteenth century element ethical Evelina explain face fact final genre genre and ethics goal helps human ideology Imoinda important indicates individual interest interpretation involves issue Johnson kind leads less literary literature London MacFlecknoe marriage Martin means mistress Mode moral narrative nature never novel Oroonoko Oxford particularly pastoral period play poem poet poetry political position present Press problem provides question reading reference relation relationship responsibility Restoration comedy Richard Savage romance satire Savage Savage's scene seen sense serves Shadwell shows social stage story Stratagem suggests takes tradition turn understand University writing young