See! Boccace sits, unfolding on his knees
The new-found roll of old Mæonides;
But from his mantle's fold, and near the heart,
Peers Ovid's holy book of Love's sweet smart !

Samuel Taylor Coleridge.

PIAZZA DELLA SIGNORIA.

A

MONG the awful forms that stand assembled

In the great square of Florence, may be seen
That Cosmo, not the father of his country,
Not he so styled, but he who played the tyrant.
Clad in rich armor like a paladin,
But with his helmet off, in kingly state,
Aloft he sits upon his horse of brass ;
And they who read the legend underneath
Go and pronounce him happy. Yet there is
A chamber at Grosseto, that, if walls
Could speak and tell of what is done within,
Would turn your admiration into pity.
Half of what passed died with him; but the rest,
All be discovered when the fit was on,
All that, by those who listened, could be gleaned
From broken sentences, and starts in sleep,
Is told, and by an honest chronicler.

Two of his sons, Giovanni and Garzia,
(The eldest had not seen his sixteenth summer,)
Went to the chase; but one of them, Giovanni,
His best beloved, the glory of his house,
Returned not; and at close of day was found
Bathed in his innocent blood. Too well, alas,

The trembling Cosmo guessed the deed, the doer;
And, having caused the body to be borne
In secret to that chamber, at an hour
When all slept sound, save the disconsolate mother,
Who little thought of what was yet to come,
Aud lived but to be told, he bade Garzia
Arise and follow him. Holding in one land
A winking lamp, and in the other a key
Massive and dungeon-like, thither he led;
And, having entered in and locked the door,
The father fixed his eyes upon the son,
And closely questioned him. No change betrayed
Or guilt or fear. Then Cosmo lifted up
The bloody sheet. “Look there! look there!” he cried,
“Blood calls for blood, --- and from a father's hand !
Unless thyself wilt save him that sad office.”
“What!” he exclaimed, when, shuddering at the sight,
The boy breathed out, “I stood but on my guard.”
“ Dar'st thou then blacken one who never wronged thee,
Who would not set his foot upon a worm ?
Yes, thou must die, lest others fall by thee,
And thou shouldst be the slager of us all."
Then from Garzia’s side he took the dagger,
That fatal one which spilt his brother's blood;
And, kneeling on the ground, “ Great God!” he cried,
“ Grant me the strength to do an act of justice,
Thou knowest what it costs me ; but, alas,
How can I spare myself, sparing none else?
Grant me the strength, the will, — and, 0, forgive
The sinful soul of a most wretched son.
'T is a most wretched father who implores it.”

Long on Garzia's neck he hung, and wept
Tenderly, long pressed him to his bosom ;
And then, but while he held him by the arm,
Thrusting him backward, turned away his face,
And stabbed him to the heart.

Well might De Thou,
When in his youth he came to Cosmo's court,
Think on the past; and, as he wandered through
The ancient palace, — through those ample spaces
Silent, deserted, — stop awhile to dwell
Upon two portraits there, drawn on the wall
Together, as of two in bonds of love,
One in a Cardinals habit, one in black,
Those of the unhappy brothers, and infer
From the deep silence that his questions drew,
The terrible truth.

Well might he heave a sigh
For poor humanity, when he beheld
That very Cosmo shaking o'er his fire,
Drowsy and deaf and inarticulate,
Wrapt in his nightgown, o'er a sick man's mess,
In the last stage, — death-struck and deadly pale;
His wife, another, not his Eleanora,
At once his nurse and his interpreter.

Samuel Rogers.

THE STATUE AND THE BUST.

THERE's a palace in Florence, the world knows well,

square, Aud this story of both do the townsmen tell.

Ages ago, a lady there,
At the furthest window facing the east,
Asked, “Who rides by with the royal air ? ”

The bridesmaids' prattle around her ceased :
She leaned forth, one on either hand;
They saw bow the blush of the bride increased,

They felt by its beats her heart expand,
As one at each ear, and both in a breath,
Whispered, “ The Great-Duke Ferdinand.”

That selfsame instant, underneath,
The Duke rode past in his idle way,
Empty and fine like a swordless sheath.

Gay he rode, with a friend as gay, Till he threw his head back, - “ Who is she ? " “A bride the Riccardi brings home to-day.”

Hair in heaps laid heavily
Over a pale brow spirit-pure,
Carved like the heart of the coal-black tree,

Crisped like a war-steed's encolure,
Which vainly sought to dissemble her eyes
Of the blackest black our eyes endure.

And lo, a blade for a knight's emprise
Filled the fine empty sheath of a man,
The Duke grew straightway brave and wise.

He looked at her, as a lover can;
She looked at him, as one who awakes,
The past was a sleep, and her life began.

As love so ordered for both their sakes,
A feast was held that selfsame night
In the pile wbich the mighty shadow makes.

(For Via Larga is three-parts light,
But the palace overshadows one,
Because of a crime which may God requite !

To Florence and God the wrong was done,
Through the first republic's murder there
By Cosimo and his cursed son.)

The Duke (with the statue's face in the square)
Turned in the midst of his multitude
At the bright approach of the bridal pair.

Face to face the lovers stood
A single minute and no more,
While the bridegroom bent as a man subdued,

Bowed till his bonnet brushed the floor, -
For the Duke on the lady a kiss conferred,
As the courtly custom was of yore.

In a minute can lovers exchange a word ?
If a word did pass, which I do not think,
Only one out of the thousand heard.