Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - Всего страниц: 420 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Стр. 53
... speech art used for purposes of persuasion , the two " levels " referred to are , first , rhetoric within the play - speech art used by the characters with the aim of persuading ( in fact , duping ) others ; second , rhetoric used ...
... speech art used for purposes of persuasion , the two " levels " referred to are , first , rhetoric within the play - speech art used by the characters with the aim of persuading ( in fact , duping ) others ; second , rhetoric used ...
Стр. 55
... speech . ( IV , i , 275-77 ) Des Upon my knees , what doth your speech import ? ( IV , ii , 31 ) Oth I know this act shows horrible and grim . ( V , ii , 206 ) The final example of rhetorical doubleness in a speech in this play that I ...
... speech . ( IV , i , 275-77 ) Des Upon my knees , what doth your speech import ? ( IV , ii , 31 ) Oth I know this act shows horrible and grim . ( V , ii , 206 ) The final example of rhetorical doubleness in a speech in this play that I ...
Стр. 304
... Speech Act theory in Shakespearean scholarship , therefore , can assist in touching the very axis of language's role in dramatic form - creation . The journey from word to deed and the relationship be- tween utterances are as variable ...
... Speech Act theory in Shakespearean scholarship , therefore , can assist in touching the very axis of language's role in dramatic form - creation . The journey from word to deed and the relationship be- tween utterances are as variable ...
Содержание
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
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Другие издания - Просмотреть все
Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York