Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - Всего страниц: 420 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Стр. 90
... play - such moments as Charmian's baiting Cleopatra about her love for Cae- sar - are not isolated phenomena : the entire tragic vision of the play is subjected to the comic perspec- tive . If this double perspective is perilous to the ...
... play - such moments as Charmian's baiting Cleopatra about her love for Cae- sar - are not isolated phenomena : the entire tragic vision of the play is subjected to the comic perspec- tive . If this double perspective is perilous to the ...
Стр. 146
... play , and our sym- pathetic playing , by attending to the disjunction be- tween the mortal actors before us and the romantic " space " of their dramatic representation . And yet , what seems in part to prevent the final scene from ...
... play , and our sym- pathetic playing , by attending to the disjunction be- tween the mortal actors before us and the romantic " space " of their dramatic representation . And yet , what seems in part to prevent the final scene from ...
Стр. 149
... play ; see Lamb , pp . 79-91 , passim . 25 Bernard Shaw , " Preface , " to Three Plays for Puri- tans ... play first dominated by tragedy and later by comedy , maintaining that the movement of the play from tragedy to comedy parallels ...
... play ; see Lamb , pp . 79-91 , passim . 25 Bernard Shaw , " Preface , " to Three Plays for Puri- tans ... play first dominated by tragedy and later by comedy , maintaining that the movement of the play from tragedy to comedy parallels ...
Содержание
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
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Другие издания - Просмотреть все
Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York