Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - Всего страниц: 420 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... male suspicion of fe- male infidelity in Much Ado About Nothing , Othello , Cymbeline , and The Winter's Tale , arguing that the fear of being deceived manifests itself in the physical or verbal abuse of women , followed by the ...
... male suspicion of fe- male infidelity in Much Ado About Nothing , Othello , Cymbeline , and The Winter's Tale , arguing that the fear of being deceived manifests itself in the physical or verbal abuse of women , followed by the ...
Стр. 31
... male writer , Shakespeare , as we might expect , treated this theme mainly from the point of view of his male characters . They seem to feel women's betrayal more strongly than men's . Women's deceptiveness is often at the core of ...
... male writer , Shakespeare , as we might expect , treated this theme mainly from the point of view of his male characters . They seem to feel women's betrayal more strongly than men's . Women's deceptiveness is often at the core of ...
Стр. 245
... male disguise accompanies a deemphasis of her role . Some are pawns in other characters ' intrigues and appear only in brief subplots . While male disguise may embolden heroines in comedies , it does little to empower cross - dressed ...
... male disguise accompanies a deemphasis of her role . Some are pawns in other characters ' intrigues and appear only in brief subplots . While male disguise may embolden heroines in comedies , it does little to empower cross - dressed ...
Содержание
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
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Другие издания - Просмотреть все
Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York