Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - Всего страниц: 420 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Стр. 100
... Octavius and of the trustwor- thy Proculeius ; not one Roman speaks the truth to Cleopatra at the end except Dolabella , and he must be seduced into telling the truth . I do not mean that we are supposed to shudder at Rome . Though its ...
... Octavius and of the trustwor- thy Proculeius ; not one Roman speaks the truth to Cleopatra at the end except Dolabella , and he must be seduced into telling the truth . I do not mean that we are supposed to shudder at Rome . Though its ...
Стр. 181
... Octavius as one between a man and a boy , between mature and immature masculinity , and between mili- tary experience and inexperience . The repeated refer- ences of both lovers to Octavius's immaturity , in fact , reveal their contempt ...
... Octavius as one between a man and a boy , between mature and immature masculinity , and between mili- tary experience and inexperience . The repeated refer- ences of both lovers to Octavius's immaturity , in fact , reveal their contempt ...
Стр. 188
... Octavius's lies , Shakespeare em- phasizes her resolution . Like Antony , she comes to terms with the fear of death to take her life . From the moment of his death to that of her own she invokes the courage needed to perform the final ...
... Octavius's lies , Shakespeare em- phasizes her resolution . Like Antony , she comes to terms with the fear of death to take her life . From the moment of his death to that of her own she invokes the courage needed to perform the final ...
Содержание
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
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Другие издания - Просмотреть все
Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York