Coleridge and Textual Instability: The Multiple Versions of the Major PoemsOxford University Press, 12 мая 1994 г. - Всего страниц: 272 Jack Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower, Frost at Midnight, Kubla Khan, Christabel, and Dejection: An Ode. Such multiplicity of versions raises interesting theoretical and practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in which multiple versions complicate interpretation of the poems as a unified (or, as the case may be, disunified) body of work. Providing much new information about the texts and production of Coleridge's major poems, Stillinger's study offers intriguing new theories about the nature of authorship and the constitution of literary works. |
Результаты поиска по книге
Результаты 1 – 5 из 33
Стр. vi
... tion of Coleridge's works , and about Coleridge's practices and motives in revising — will be as relevant and timely after the publication of Mays's edition as it will be ( or would have been ) before . Some preliminary definitions are ...
... tion of Coleridge's works , and about Coleridge's practices and motives in revising — will be as relevant and timely after the publication of Mays's edition as it will be ( or would have been ) before . Some preliminary definitions are ...
Стр. 4
... is carried on at a high level of abstrac- tion ( which is reasonable enough in these days of heavy theorizing ) , and the materials are primarily the prose of the Collected Works , 4 THE CURRENT STATE OF COLERIDGE'S POETIC TEXTS.
... is carried on at a high level of abstrac- tion ( which is reasonable enough in these days of heavy theorizing ) , and the materials are primarily the prose of the Collected Works , 4 THE CURRENT STATE OF COLERIDGE'S POETIC TEXTS.
Стр. 6
... tion , he seems to follow one or the other indiscriminately , and in many texts he brings together substantive readings ( that is , distinctive wording ) from several different sources . He prints Kubla Khan , for instance , in four ...
... tion , he seems to follow one or the other indiscriminately , and in many texts he brings together substantive readings ( that is , distinctive wording ) from several different sources . He prints Kubla Khan , for instance , in four ...
Стр. 7
... tion than in other editions produced around the same time in accordance with late- nineteenth - century editorial practice . Whatever his inaccuracies and carelessnesses , E. H. Coleridge is in no way to blame for what is now the most ...
... tion than in other editions produced around the same time in accordance with late- nineteenth - century editorial practice . Whatever his inaccuracies and carelessnesses , E. H. Coleridge is in no way to blame for what is now the most ...
Стр. 8
... tion.6 Gutteridge begins with the earliest of the holographs in the Rugby Manuscript at Texas , a seventeen - line fair copy that Coleridge originally made for use by the printer of 1796. Because E. H. Coleridge wrongly added " First ...
... tion.6 Gutteridge begins with the earliest of the holographs in the Rugby Manuscript at Texas , a seventeen - line fair copy that Coleridge originally made for use by the printer of 1796. Because E. H. Coleridge wrongly added " First ...
Содержание
3 | |
2 The Multiple Versions | 26 |
3 Coleridge as Reviser | 100 |
4 A Practical Theory of Versions | 118 |
Notes | 237 |
Index | 251 |
Другие издания - Просмотреть все
Coleridge and Textual Instability: The Multiple Versions of the Major Poems Jack Stillinger Ограниченный просмотр - 1994 |
Часто встречающиеся слова и выражения
Ancient Mariner annotated copies Annual Anthology authorial intention beginning Biographia Literaria Blank Verse breeze canceled Charles Lamb Christabel Cole Coleridge's Coleridge's poems copies of 1817 corrected Cottle Dejection deleted Dorothy Wordsworth Dove Cottage draft earlier edition Eolian Harp errata essay extant eyes final text Frost at Midnight Geraldine Grasmere Harvard holograph interlined interpretation Keats Keats's Kubla Khan lady Lamb later letter Lime-Tree Bower lines literary Lyrical Ballads major poems manuscript Mariner's mind multiple versions paragraph division passage poet Poetical poetry printed text printer proofs prose published readers readings revisions S. T. Coleridge Samuel Taylor Coleridge Sara separate versions Shillingsburg ship Sibylline Leaves Sir Leoline soul Southey speaker spirit stanza substantive sweet Textual Criticism thee theory things thou Tintern Abbey transcript unique unity University Press variants verse Version 9 volume William Wordsworth words Wordsworth written wrote
Популярные отрывки
Стр. 185 - The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines...
Стр. 170 - The many men, so beautiful! And they all dead did lie: And a thousand thousand slimy things Lived on ; and so did I.
Стр. 185 - On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment he was unfortunately called out by a person on business from Porlock...
Стр. 181 - I saw a third — I heard his voice: It is the Hermit good! He singeth loud his godly hymns That he makes in the wood. He'll shrieve my soul, he'll wash away The Albatross's blood.
Стр. 162 - And I had done a hellish thing. And it would work 'em woe: For all averred. I had killed the bird That made the breeze to blow.
Стр. 171 - I closed my lids, and kept them close, And the balls like pulses beat; For the sky and the sea, and the sea and the sky. Lay like a load on my weary eye, And the dead were at my feet.
Стр. 187 - But oh ! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover ! A savage place ! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover...
Стр. 162 - It perched for vespers nine ; Whiles all the night, through fog-smoke white, Glimmered the white Moon-shine." " God save thee, ancient Mariner ! From the fiends, that plague thee thus ! — Why look'st thou so ? " — " With my cross-bow I shot the ALBATROSS.
Ссылки на эту книгу
The Constructivist Moment: From Material Text to Cultural Poetics Barrett Watten Недоступно для просмотра - 2003 |