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probably to twice or thrice the amount of their interest in the fund; and in order to accommodate them, and at the same time to protect the committee, whose services in the whole business are purely gratuitous, a printed form of application for the articles was prepared, authorising the committee, in the event of the applicant leaving the establishment while any part of the articles were unpaid, to uplift whatever money might be due to him either on account of the benefit scheme, the cooperative fund, or for wages, and to apply it in liquidation of any claim against him for articles furnished. A printed form in similar terms is also, in such cases, required to be subscribed by two persons on the establishment as cautioners, so that the committee are, on the whole, tolerably well protected against loss by bad debts.

The clerk for the benefit scheme is also clerk for this branch, and no goods of any description are furnished to any one except on his order.

The benefits arising from these conjoined schemes are probably more numerous and important than may at first sight appear. The first and most obvious are clearly the providing a means of relief when the men are laid off work by sickness, and the payment of a sum on the death of any member of the family, for the purpose of defraying the funeral charges. Next to these in importance is the arrangement for providing medical attendance and medicine to the men and their families. The surgeon being elected by a committee appointed for that purpose by the men themselves, the utmost confidence is placed in his professional skill, while the right to demand his services in any emergency, and the consciousness that these services are paid for, elevates them in their own estimation, and places them in a position in all respects superior to those who are under the necessity of begging medical relief as a charity, and of submitting, as sometimes happens, to be treated by persons in whose skill they have not the confidence usually inspired by previous personal acquaintance. The division of the surplus funds at Martinmas and Whitsunday becomes an important contribution towards the pay ment of the house-rent falling due at these terms; and to those who do not require it for that purpose, it comes opportunely either for the purchase of articles of dress, or as a nucleus to which further savings may be added. Amongst its negative merits, it may be mentioned that its meetings are never held in taverns, and that it is conducted without expense. But benefits of a higher, more ennobling, and more important character than those which pertain to the mere saving of money arise from this scheme, from the feeling of independence which it inspires and fosters, and from the boldness and manliness with which it trusts to its own efforts alone in its discarding of all reliance on extrinsic aid. That feeling, also, which is the very bane of the working-classes-want of confidence in each other-is here practically subdued; their interests inseparably united; and individual wants and afflictions felt as matters in which all are concerned. We had almost added, that their sympathy for each other was promoted; but the writer of this article well knows the generous and kindly hearts of that portion of his brethren whose hands are hardened with daily toil; and if there be any class of his countrymen whose charities towards each other never fail, it is that of the humblest, the hardest worked, and the worst paid among them. He could tell of patient endurance, of self-denial, of exalted generosity, all calmly and unostentatiously exercised, and all unheard of by that mass of persons who call themselves the world, which would make the ears of the coldest tingle, and the proudest hang down their beads.

It is perhaps scarcely necessary to add that any body of men, consisting of a dozen or upwards, may enter into the whole or any part of these schemes. If the benefit scheme only be adopted, and if the number be very small, the benefits might either be longer deferred, or money borrowed to meet such contingencies as require

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Fogs, says Mr Main, are more dense about London, and probably all other great cities, than elsewhere, because the vast quantity of fuliginous matter floating over such places mingles with the vapour, and renders the whole so thick, that a noonday darkness is sometimes produced, rendering candles and gas-lights necessary for the transaction of the ordinary business of the shops and public offices. Such circumstances happen frequently during winter; but on some occasions (as about two o'clock P. M. on the 27th December 1831) this darkness is truly awful. This extraordinary appearance is, however, caused by a very ordinary accident, namely, a change of winds, and which may be accounted for as follows:-The west wind carries the smoke of the city to the eastward, in a long train, extending to the distance of twenty or thirty miles, as may be seen in a clear day by any person on an eminence, as, for instance, at Harrow-on-the-Hill. In this case, suppose the wind to change suddenly to the east, the great body of the smoke will be brought back in an accumulated mass, and as this repasses the city, augmented by the clouds of smoke from every fire therein, it causes the murky darkback on its source may be easily conceived; indeed it may ness alluded to. This effect of the smoke being thrown be seen, under favourable circumstances, first reverted, and gradually accumulating, till it is dispersed on the opposite side; but wherever the accumulation is, in its progress backwards there will be an unusual degree of darkness. It is to be observed, that the cause of fogs is also the cause of the smoke floating near the earth; and, of course, where there is so much of the latter, the former is doubly dense. Besides fogs, we have also mist or haze, usually accomthe counties to the westward of the metropolis, this is panying east winds, especially in the spring months. In called London smoke; but as it is seen to the eastward as well as westward of the city, the appellation is improper. The most natural idea we can form of this hazy appearance is, its being caused by the constitutional coldness of the east wind, which, checking the ascent of vapour raised by the sun, carries it horizontally along the lowest stratum of the air; hence its visibility. A lurid gloom is also sometimes produced by clouds of snow, when the water floating in the air becomes frozen into spicula, and congregating into flakes, contrary currents of wind wheel them into irregular masses, which obstruct the light from the sky, so as to wrap every object immediately below in a deep yellow light. This latter circumstance almost always precedes, and is a certain sign of, a fall of snow.-Magazine of Natural History.

CULTURE OF RICE IN CHINA.

The Chinese conduct this cultivation with great care, endeavouring in this, as in all the offices of husbandry in which they engage, to draw from the soil the greatest possible produce. The care of the cultivator begins before the seeds are placed in the earth. The grains destined for that purpose are put in baskets, and immersed in water, in them, and tends to hasten their germination. The land which situation they remain for some days; this softens which is to be sown with this crop is previously saturated with water, until the surface is like soft mud. In this state it is stirred up with a plough of very simple construction, to which is yoked a single buffalo. A rude kind of hurdle, drawn also by one buffalo, succeeds the plough, the driver sitting upon the hurdle to increase its weight, by which means the clods are broken down, and the ground made smooth. All stones are carefully removed; and as far as possible, every weed is extirpated. Water is then again let in upon the land, in just sufficient quantity to cover its surface, and a harrow, with several rows of great iron teeth, still further smooths and completes the preparation of the ground. Only those grains which have sprouted in the water are selected for sowing, since, as they have begun to germinate, their goodness is ascertained; all the rest are rejected. The seed is sown thickly and evenly on only

part of the ground; this serving as a nursery for the rest. A day after the seeds have been sown, the points of the plants appear above the surface of the ground. As soon as the plants have acquired a little strength, they are sprinkled with lime-water, for the purpose of destroying insects, which might otherwise prey upon the young shoots. This operation is performed with a small basket, attached to a long handle, the basket being filled by immersion from another vessel; it is moved over the plants, and the fluid runs through, and is thus equally distributed over them. When the young plants appear in thick vegetation, they are thinned; the superfluous plants being carefully taken up with their rootlets, and transplanted in a quincunx order in the unoccupied portion of the land which has been prepared for their reception. No delay must take place in this work, so that the plants may be as short time as possible out of the ground; a calm day is usually selected for the purpose. As soon as planting is completed, the water is admitted to overflow the plants. For the advantage of irrigation, the rice fields are usually situated near to a rivulet, pond, or other water, from which they are separated only by a bank, and through this a communication is readily made. Sometimes, however, it happens that the water is below the level of the fields; in this dilemma, the moisture so essential to the success of the crop is supplied by means of buckets, which is a most tedious and laborious operation. The grounds are kept perfectly clean from weeds, which are taken up by the root with the hand, although the soil is in such a swampy state that the labourers employed in this task cannot step upon the ground without sinking knee deep. The maturity of the grain is known by its turning yellow in the same manner as wheat; it is then cut with a sickle, tied in sheaves, and conveyed into sheds or barns, where it is thrashed with flails very similar to those used in England.--Porter, in the Oriental Agriculturist.

AN ACCOMPLISHED YOUNG LADY.

Her edication is slicked off complete; a mantymaker gets her up well, and she is sent back to home with the Tower stamp on her, 'edicated at a boardin'-school.' She astonishes the natives round about where the old folks live, and makes 'em stare agin, she is so improved. She plays beautiful on the piano two pieces; they were crack pieces, larned onder the eye and ear of the master; but there is a secret nobody knows but her---she can't play nothin' else. She sings two or three songs, the last lessons larnt to school, and the last she ever will larn. She has two or three beautiful drawin's; but there is a secret here too---the master finished 'em; and she can't do another.

She speaks French beautiful; but it's fortunate she ain't in France now, so that secret is safe. She is a very agreeable gal, and talks very pleasantly, for she has seen the world. She was to London for a few weeks; saw the last play, and knows a great deal about the theatre. She has been to the opera onc't, and has seen Celeste and Fanny Essler, and heard Lablache and Grisi, and is a judge of dancin' and singin'. She saw the queen a horseback in the Park, and is a judge of ridin'; and was at a party at Lady Syllabub's, and knows London life. This varnish lasts a whole year. The two new pieces wear out, and the songs get old, and the drawin's everybody has seed, and the London millinery wants renewin', and the queen has another princess, and there is another singer at the opera, and all is gone but the credit, she was edicated at a boardin'-school.'---Sam Slick in England.

THE STURGEON FISHERY.

former is prepared from the air-bladder, and large quantities of it are annually imported into England from St Petersburg. Caviare is a preparation from the roe, of a strong, oily, but agreeable flavour; and is increasing in estimation here, if we may judge by the increased importation of it: a great deal is also consumed in Italy.

THE ROSE AND THE LILY.
[FROM THE GERMAN OF DEUERN.]

A LOVELY Rose and Lily growing
In a garden, side by side,

The Rose, with love's own radiance glowing,
Turned and said, in beauty's pride:
'Wherefore raise thy head so high,

Jan. 1845.

Since not half so fair as I?

Sure all the magic charms that hover
O'er the lips of maiden fair,
In my bosom's depths the lover,
Fondly seeking, findeth there:
On her dewy lips repose
All the glories of the Rose!'

The Lily turned to speak, soft smiling
With a proud yet gentle grace,
For well she knew the charm beguiling
Of her pure and virgin face:
The whiteness of the maiden's breast,
Of beauty is the surest test.'

That moment, through the garden bounding,
Comes the treasure of my life;

As light they hear her footfall sounding,
Ceased each angry word of strife.
The lovely flowers she stands before,
And they are sisters evermore!

Her fair young cheek, where lilies, roses,
In fast friendship ever bloom,

To the rival flowers discloses,

In beauty's garden both have room:
Each declares, from envy free,

None so beautiful as she!

ARSENIC.

E. L.

ing mode of rendering poisoning by arsenic more difficult. M. Grimaud, a chemist of Poictiers, proposes the followHe recommends that this article shall be sold only when mixed with a certain quantity of sulphate of iron and cyanure of potash. About one per cent. of each substance would, he alleges, be sufficient. The arsenic, thus qualified, shows itself either by colour or smell, when used in this way, and thrown into warm meat soup, gives immethe various aliments fit for man. Thus, arsenic prepared diately a green bronze colour; into hot milk, an opal; into

red wine, a violet; into bread, a deep blue; and so on for twenty mixtures on which M. Grimaud has made experi

ments.

PREPARATION OF COFFEE.

It is a fact well known in Prague, that the water of the wells in that town is better adapted for use in making coffee than the river water; comparative analyses of the contained in the former. Pleischl found this opinion corwater indicate that this depends on the carbonate of soda roborated by the fact, that a small quantity of the salt added to coffee improves its flavour, and advises consequently the addition of 43 grains of the pure carbonate to each pound of roasted coffee, as an improvement to the flavour, and also to the curative effect of this beverage, as it neutralises the acid contained in the infusion.---Phar

maceutical Journal.

The river Volga, especially near its mouth, is the principal scene of this fishery. When the fish enter the river, which they do, like many others, at stated seasons, for the purpose of depositing their spawn, large enclosures of strong stakes are set across the current, to intercept and prevent their return; the enclosures narrow up the river, and the animal getting into these confined places, is easily speared. This fish (Accipenser sturo), of which there are several species, breeds in the Caspian in such numbers, as to fill the rivers flowing into that sea. Fifteen thonsand sturgeons are sometimes taken in one day with the hook, at the station of Sallian on the Persian coast; and upwards of 700,000 were taken in the year 1829 in the Russian dominions off the coast of the Caspian. The flesh of the sturgeon is salted and dried for consumption during oce, Lombard Street, in the precinct of Whitefriars and city of London and Published the numerous fasts enjoined by the Greek church; but the two most valuable products are isinglass and caviare. The

Complete sets of the Journal, First Series, in twelve volumes, and also odd numbers to complete sets, may be had from the publishers or their agents. A Stamped Edition issued for transmission, post free, price Twopence halfpenny.

Printed by William Bradbury, of No. 6, York Place, and Frederick Mallett Evans, of No. 7, Church Row, both of Stoke Newington, in the county of Middlesex, printers, at their (with permission of the Proprietors, W. and R. CHAMBERS,) by WILLIAM SOMERVILLE ORR. Publisher, of 3, Amen Corner, st No. 2, AMEN CORNER, beth in the parish of Christchurch, and in the city of London-Saturday, February 8, 1945

EDINBURGH

JOURNAL

CONDUCTED BY WILLIAM AND ROBERT CHAMBERS, EDITORS OF 'CHAMBERS'S INFORMATION FOR THE PEOPLE,' 'CHAMBERS'S EDUCATIONAL COURSE,' &c.

No. 59. NEW SERIES.

SATURDAY, FEBRUARY 15, 1845.

THE WILL AND THE WAY. THE old saying, that where there is a will there is a way, might be called an extreme proposition; yet it is so often found true, that proverbial wisdom is amply justified in adopting it. The roads which we incline not to travel are all sadly beset with specimens of the feline tribe; and when a gentleman is asked for money by a companion often in need of it, he is extremely apt to have a large and exhausting payment to make at the end of the week. But when he is really determined to push his way along the road, opposing lions have usually little terror for him, and, if anxious to oblige his friend, he will almost certainly be able to do so without the breach of any of his own engagements. So, also, I observe that my son Tom is very liable at ordinary times to a prejudice as to his power of mastering the lessons set to him by his master; but I seldom hear of any difficulty when a half holiday is made to depend on his being fully accomplished in them. In fact, the most wonderful feats are sometimes performed under the influence of a powerful impulse operating upon the will. When the Texan prisoners of the Santa Fé expedition were told, for instance, by their brutal conductor, that any who should prove unable to walk | would be shot, many who had up to that moment seemed at the last gasp of exhaustion, plucked up and set off at a stout pace, which they kept up all day. Quentin Matsys thought he could not paint, till his master told him his daughter's hand depended on his producing a picture of merit within six months; and then he painted the well-known Misers,' now preserved in Windsor Castle.

Even in scientific matters this proverb is found applicable. An ingenious man, whose mind runs before its age, discovers some unexpected principles, and repeats the experiments by which they were ascertained over and over again to his entire satisfaction. Being inconsistent with some of the many preconceptions which ignorance or slight knowledge has fixed in the public mind, they are received with distrust, and the usual anxiety is shown by all the associates of the discoverer to find him out to be a base impostor, or at the best a pitiable dreamer. Some therefore go over the experiments, or think they do so, and, as they anticipated, can find no such results. And they really do not find the results. It is the common case. And all the world sits quietly down, saying, 'Oh, of course it was a mere delusion.' And then, if the discoverer is a modest timid man, there is an end of the matter perhaps for twenty years, when at length the principle is discovered again, and forced into notice by other persons. Now, what is the explanation of this? Simply, that the second experimenters came to the trial with sceptical distrustful minds, much more willing to see the

PRICE 1d.

hypothesis disproved than to find it true. All such experiments require to have a number of minutiæ, which are almost inexpressible in writing, carefully attended to; for example, the strength or freshness of a particular ingredient may be of material consequence. Thus, although the experiment may have been to appearance fully and fairly made, some little points, such as a person otherwise disposed would have been sure to attend to, are neglected; and for this reason the results are a failure. Such circumstances are continually taking place in the scientific world. The failure is often the result of no feeling so decided as ill-will, but merely of indifference or carelessness. Microscopic accuracies necessary for the success of the experiment will only be fully attended to by the person who feels a heart interest in that success, and is disposed to take any trouble or make any sacrifice to attain it. Besides the actual discoverer, there is no such person, or, if there be, it is a rare case.

The kind of men called great are usually remarkable for powerful will. Cæsar, Cromwell, Frederick, Napoleon, Wellington-see in them all this efficacious principle towering over almost every other, and rendering opposing circumstances as nothing in their path. They resolve, and the thing is done. The secret of this success is here. Such men first affect their lieutenants, and others immediately around them. These persons, finding all hesitation unacceptable, and no difficulties acknowledged, are inspired to make great efforts. They again affect the mass, and thus the spirit of one man impresses and energises all. The word impossible becomes a lost term in such hosts. Great talents of any kind without this one central principle would not serve. What is required to animate and conquer is WILL; a principle only connected with intellect, but not intellect itself-far from it; a thing essentially selfish, yet a needful aid in the whole procedure of our nature. Men remarkably endowed with will are not always either just, or kind, or judicious. Often, finding it serve them well in some instances, and hearing men whisper flattering remarks upon it, they begin to make it an object of worship. They do not will that they may do; but they act because they take a pleasure in Willing. Obstinate, harsh, pestilent they often are to their fellow-creatures; not unfrequently great martyrs to their own dogged irrational determinations. Yet there is a sublimity in powerful will, which compels all men to venerate. It is the sine-qua-non of all mastership and command. He who lacks it may be amiable, ingenious, upright, wise beyond the wisest, but never will fix decided esteem in the multitude, or come to anything great.

It is extremely puzzling to say how far the common notion, that men might in general act better if they would, is true. We see one man act well, and it is

natural to think that another might do the same, if he chose, particularly as we often see an impulse or motive applied to a man which induces him to exert himself as he never did before. But the perplexing point is, where are we to get, in all cases, the adequate external impulse? The will is a natural endowment as well as the moral faculties themselves. Young persons, and many who continue to be always of mediocre character, have generally little of it. The want of it is often the first, and continues to be the leading feature of insanity. When we see a man acting in a certain way from no want of judgment or good intention, but defect of will to do rightly, can we say that the case is different, either essentially or in its relations, from a case in which there was neither judgment nor good intention? As bad to want will as to want anything. Indeed, most persons who have had occasion to endeavour to operate upon the moral nature of their fellow-creatures, will be prepared to acknowledge that there was no class of cases so apt to appear to them utterly hopeless as those in which there was, while other features of an estimable kind were present, an utter want of will. The passive resistance presented by such natures is felt as a more deadly obstacle than the most perverse actual tendencies. Yet here we should remember our own maxim, where there is a will there is a way, and not be too ready to abandon those who are little ready to reflect upon us the lustre of success. After the many instances which we know of a thorough change of human conduct under the application of right and fitting means, it would surely be unjust to conclude that there is any fellowcreature beyond being set up in moral beauty, if we only could bring the right agency to bear upon the part of his mind which is fitted to yield to it.

It is in regarding it as a star of hope to all under difficulties and disasters, that the maxim is presented to us in its most interesting light. The youth who feels what a hard task he has before him ere he can say that he has attained his proper place in life, knows this golden sentence, and girds his loins up cheerily for that long probation which at once tests his virtue and wins his fortune. The unfortunate on whom the clouds of evil seem closing all round, and who fears that he must be overwhelmed by them, recalls the animating adage, and because he wills, does break through all. In short, hardly any difficulty could be cited to which this philosophy is not applicable; and every one will find, if he tries, that, be it through the brakes of entangling and bewildering passions, be it over the wide and unmarked moor of uncertainty, be it through the slough of despond itself, WHERE THERE IS A WILL THERE WILL BE A WAY.

MORNINGS WITH THOMAS CAMPBELL.

SECOND ARTICLE.

IN the course of our ramble we called on the poet's namesake, Mr Thomas Campbell the sculptor. In looking through the studio, I had occasion to notice the excessive admiration with which he regarded beauty of form and expression. A female bust absolutely entranced him. There was no tearing him away from it. The fascination was as complete as in the instance of the Child Sweetheart.' This did not seem to be equally the case with pictures. We were afterwards in the National Gallery, and I did not notice any peculiar susceptibility to the beauties of the few very fine pictures in the collection. The charm of the rounded contour, and the effect of the lucid marble, in works of sculpture, no doubt formed part of the spell. In his Life of Mrs Siddons, Campbell has recorded his impressions on first seeing the Apollo Belvidere in the Louvre; and as the passage is one of the few really worthy of him in that memoir, and illustrates the peculiarity alluded to, I shall extract it:

From the farthest end of the spacious room, the god seemed to look down like a president on the chosen assembly of sculptured forms; and his glowing marble,

unstained by time, appeared to my imagination as if he had stepped freshly from the sun. I had seen casts of the glorious statue with scarcely any admiration; and I must undoubtedly impute that circumstance in part to my inexperience in art, and to my taste having till then lain torpid. But still I prize the recollected impressions of that day too dearly to call them fanciful. They seemed to give my mind a new sense of the harmony of art-a new visual power of enjoying beauty. Nor is it mere fancy that makes the difference between the Apollo himself and his plaster casts. The dead whiteness of the stucco copies is glaringly monotonous, whilst the diaphanous surface of the original seems to soften the light which it reflects. Every particular feeling of that hour is written indelibly on my memory. I remember entering the Louvre with a latent suspicion on my mind that a good deal of the rapture expressed at the sight of superlative sculptures was exaggerated or affected; but as we passed through the passage of the hall, there was a Greek figure, I think that of Pericles, with a chlamys and helmet, which John Kemble desired me to notice; and it instantly struck me with wonder at the gentlemanlike grace which art could give to a human form with so simple a vesture. It was not, however, until we reached the grand saloon that the first sight of the god overawed my incredulity. Every step of approach to his presence added to my sensations, and all recollections of his name in classic poetry swarmed on my mind as spontaneously as the associations that are conjured up by the sweetest music.'

We next went to the British Museum. I had previously seen the Elgin marbles and other works of art, and Mr Campbell proposed that we should just glance at the library. He sent in his card to Sir Henry Ellis, who came and conducted us through the rooms. The poet was warm in his admiration of the large room. Sir Henry said there were about 300,000 volumes in the library. The Louvre contains 700,000 or 800,000; but single pamphlets or thin volumes are counted separately; not bound together, several in a volume, as in our national institution. The Cambridge University library consists of about 150,000 volumes-the Bodleian, I should suppose, considerably more; and the rate of increase is about 5000 a-year. It is scarcely possible for a bookish man, new from the solitude of the country, to survey these princely collections without echoing the sentiment of James I. If it were so that I must be a prisoner, I would have no other prison than such a library, and be chained together with all these goodly authors!'

From the museum we proceeded to the house of Mr Rogers in St James's Place. The venerable author of "The Pleasures of Memory' gave his brother bard a courteous and kind reception. He seemed delighted to see him. Mr Rogers,' said the younger of the poets, 'I have taken the liberty to bring a friend from the country to see your house, as I was anxious he should not leave London without this gratification.' Mr Rogers shook me cordially by the hand, and said every friend of Mr Campbell's was welcome. But, Campbell,' added he, 'I must teach you to speak English properly.' [Here the sensitive poet stared and reined up a little.]You must not abuse that excellent word liberty, as you have done on this occasion.' We now looked over the pictures and works of art a marvellous collection for so small a depository! Mrs Jameson, Miss Sedgwick, and others, have described the classic mansion in St James's Place. The hospitality of Rogers is proverbial-his breakfasts are famous. Indeed the poet has the credit of establishing the breakfast-party as a link in London society. He refined it first, and showed its use.' Mornings in St James's Place are scarcely inferior to the delicious lobster nights' of Pope. With the poet of memory, manners the most bland and courteous are, even to strangers, united to the fullest and freest communication of thought and opinion. His delicacy of feeling and expression, and his refined taste, are indeed remarkable; but, in place of rendering him miserable, as

Byron has surmised, I should say they contributed to his happiness and enjoyment. His life has been long and prosperous, and his relish of it seems unabated: he has had a latter spring,' lusty and vigorous.

No person perhaps possesses so many literary relics and curiosities as Mr Rogers. The beautiful manuscripts of Gray, written with a crow-quill pen, are among his treasures. In his library-framed and glazed-is the celebrated agreement between Milton and his publisher for the copyright of Paradise Lost. The great poet's signature, though he was then old and blind, fallen upon evil days,' is singularly neat and distinct. He has also a bust of Pope, the clay model by Roubiliac. My father,' said Mr Rogers, 'stood by the side of Pope when Roubiliac was modelling that part of the drapery.' A bust of Pope, enriched by such associations, is indeed valuable. The features are larger than the common prints represent. I had seen an original painting of him, taken when he was ten or twelve years younger, by Jervas, but it is greatly inferior in expression. Here we had Pope calm, thoughtful, penetrating, somewhat wasted by age, disease, and study, but still the clear fine thinker and man of genius. Mr Rogers showed us also an original sketch by Raphael, for which, if we recollect right, he said the Marquis of Westminster had offered him as much land as would serve for a villa! Autograph letters, 'rich and rare,' abound in Mr Rogers's repositories, with scarce books almost as valuable. On one of the tables lay a large piece of amber enclosing a fly, entire in 'joint and limb.' Mr Campbell mentioned that Sidney Smith, who has always some original or humorous remark to make on every object, taking up this piece of amber one day, said, Perhaps that fly buzzed in Adam's ear.' After a couple of hours delightfully spent among the books and pictures, Mr Rogers invited us to breakfast next morning. When we got to the door, Campbell broke out-Well, now, there is a happy and enviable poet! He is about eighty, yet he is in the full enjoyment of life and all its best pleasures. He has several thousands per annum, and I am sure he gives away fifteen hundred in charity.'

Next morning Mr Campbell called at the Tavistock hotel, where he had kindly agreed to meet me, that we might go together to St James's Place. On the way, I mentioned that I had been reading Leigh Hunt's book about Lord Byron, which I had purchased at a stall. There is a great deal of truth in it,' said he; but it is a pity Hunt wrote it.' He thought Byron would have been a better man if he had continued to live in England: the open light of English society and English manners would have kept him more generally right.' We found at Mr Rogers's two other guests -Major Burns, second son of the poet, and the Honourable Charles Murray. Neither of these gentlemen had seen Campbell before, and they appeared highly gratified at the meeting. In the conversation that passed, I shall of course only glance at literary or public topics, not casual or hasty remarks. Captain Murray informed the poet of the present state of Wyoming in Pennsylvania, which has lost, if it ever possessed, that romantic seclusion and primitive manners drawn so beautifully by Campbell: it is now the scene of extensive iron and coal works. The conversation then turned on Captain Murray's adventures among the American Indians. He was several months without seeing a white man. He said he fully believed the stories told in narratives of shipwrecks, of men becoming wolfish and unnatural from excessive hunger. He was at one time nearly two days without food, though undergoing severe exercise on horseback. At the close of the second day he got a 'piece of raw buffalo flesh, which he devoured greedily; and had it been a piece of human flesh, he was almost convinced he could not have refrained from eating it. Major Burns instanced Byron's vivid description of the shipwreck in Don Juan, which was founded on fact. 'Yes,' said Campbell, Byron read carefully for materials for his poems.' The manner in which Byron introduces the cannibalism of the famished seamen-their

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first dark hints on the subject of murdering one of their number for food-is certainly a very powerful piece of painting. As the cant phrase is-it is like a sketch by Rembrandt.

The presence of Major Burns naturally led to remarks on his father's genius. Campbell got quite animated. He said Burns was the Shakspeare of Scotland a lesser diamond, but still a genuine one. Tam O'Shanter was his masterpiece, and he (Campbell) could still repeat it all by heart. It reminded him of a certain class of sculpture-the second or Alexandrian class-in which the figures were cast, not hewn or worked out by patient labour. Tam O'Shanter appeared to have been produced in a similar manner, cast out of the poet's glowing fancy, perfect at once. The actual circumstances attending the composition of Tam O'Shanter are not unlike this, as may be seen from the interesting account given by Mr Lockhart. As Johnson loved to gird at David Garrick, but would allow no one else to censure him, Campbell liked occasionally to have a hit at his countrymen, on the score of their alleged Pharisaical moderation and prudence. Burns, he maintained, had none of the pawkiness characteristic of his country-he was the most unScotsmanlike Scotsman that ever existed. Some of us demurred to this sally, and attempted to show that Burns had the national character strongly impressed upon him, and that this was one of the main sources of his strength. His nationality was a font of inspiration. Mr Rogers said nothing. Campbell then went on to censure the Scotch for their worship of the great. Even Scott was not exempt from the failing. 'I was once,' said he, in company with Walter Scott, where there were many of us, all exceedingly merry. He was delightful-we were charmed with him; when suddenly a lord was announced. The lord was so obscure, that I had never heard of him, and cannot recollect his name. In a moment Scott's whole manner and bearing were changed. He was no longer the easy, delightful, independent good fellow, but the timid, distant, respectful worshipper of the great man. I was astonished: and, after all, you might have made a score of dukes and lords out of Walter Scott, and scarcely missed what was taken away.' Mr Rogers said, if he had a son who wished to have a confidential friend, he would recommend him to choose a Scotsman. He would do so in the spirit of the old maxim, that a man will be found the best friend to another who is the best friend to himself. A Scotsman will always look to himself as well as to his friend, and will do nothing to disgrace either. Thus, in his friend, my son would have a good example as well as a safe adviser.

Mr Campbell said he had, when a young man, an interview with Charles James Fox, which gave him a very high idea of him as a man. It was too bad, he added, in Sir Walter Scott, even in those bad times, to write of Fox as he did in his political song on Lord Melville's acquittal, Fox being at the time on his deathbed. Mr Rogers explained that Sir Walter had in that room expressed his deep regret at the circumstance: he said he would sooner have cut off his hand than written the lines if he had known the state in which Fox then was. This,' added Rogers, Scott told me with tears in his eyes.' I mentioned having seen some unpublished letters of Sir Walter, addressed to Lady Hood (now Mrs Stewart Mackenzie of Seaforth), in which he also expressed regret on account of his unlucky political song, for which he had been blamed by Lady Hood and the then Marchioness of Stafford.

The poets talked of Shakspeare. Rogers said playfully that Shakspeare's defects of style and expression were so incorporated with his beauties, and we were so blinded by admiration, that we did not discover them. He instanced the construction of the fine passageAnd the poor beetle that we tread upon, In corporal sufferance finds a pang as great As when a giant dies.'

'The beetle feels nothing when a giant dies, but of course the poet meant that it felt at its own death a

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