Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - Всего страниц: 223 The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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Стр. 64
... scene iii , a fundamental ambiguity , one that might support this specific reading of Othello's ethic . This is the scene in which lago is insinuating to Othello a hidden love affair between Desdemona and Cassio . Othello doubts it ...
... scene iii , a fundamental ambiguity , one that might support this specific reading of Othello's ethic . This is the scene in which lago is insinuating to Othello a hidden love affair between Desdemona and Cassio . Othello doubts it ...
Стр. 67
... scene ii recapitulates this same close integration . Here , Othello now believes that Desdemona has be- trayed him with Cassio , which is the accepted reading of the scene . But which is the causal fact beneath his wish to kill her ? Is ...
... scene ii recapitulates this same close integration . Here , Othello now believes that Desdemona has be- trayed him with Cassio , which is the accepted reading of the scene . But which is the causal fact beneath his wish to kill her ? Is ...
Стр. 71
... scene iii , to Brabantio . Act I , scene iii : Brabantio : Look to her , Moor , if thou hast eyes to see ; She has deceived her father , and may thee . Othello : My life upon her faith . Act V , scene ii : Othello : But why should honor ...
... scene iii , to Brabantio . Act I , scene iii : Brabantio : Look to her , Moor , if thou hast eyes to see ; She has deceived her father , and may thee . Othello : My life upon her faith . Act V , scene ii : Othello : But why should honor ...
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Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
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accepted action actors African Aldridge American appear argues audience beautiful becomes begins believe black actors Brabantio called Cassio cause century character Christian color critics cultural Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic face fact father feel final forces give hand human Iago Iago's killed lago language later light lines look male marriage married meaning Moor moral murder narrative nature Negro never noble observes once opening Othello performance physical play present question race racial racism reading reason reference relationship represented Robeson Roderigo role scene seems seen Senate sense sexual Shakespeare significant society soul speak speech stage story suggest symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman wife women writers