Writing the Horror Movie

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Bloomsbury Publishing, 18 июл. 2013 г. - Всего страниц: 272
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Tales of horror have always been with us, from Biblical times to the Gothic novel to successful modern day authors and screenwriters. Though the genre is often maligned, it is huge in popularity and its resilience is undeniable. Marc Blake and Sara Bailey offer a detailed analysis of the horror genre, including its subgenres, tropes and the specific requirements of the horror screenplay.

Tracing the development of the horror film from its beginnings in German Expressionism, the authors engage in a readable style that will appeal to anyone with a genuine interest in the form and the mechanics of the genre. This book examines the success of Universal Studio s franchises of the 30s to the Serial Killer, the Slasher film, Asian Horror, the Supernatural, Horror Vérité and current developments in the field, including 3D and remakes. It also includes step-by-step writing exercises, annotated extracts from horror screenplays and interviews with seasoned writers/directors/ producers discussing budget restrictions, screenplay form and formulas and how screenplays work during shooting.

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Об авторе (2013)

Marc Blake has written for the Independent on Sunday, the Evening Standard, The Mail, Express and the Scriptwriter as well being a freelance writer on Eagle Moss The Horror Collection . He now teaches horror film at Southampton Solent University, UK, on their graduate programme. He is the author of three novels, Sunstroke, Big Time, and 24 Karat Schmooze.

Sara Bailey is Course Leader for Screenwriting at Southampton Solent University, UK. She has worked as a screenwriter and is an experienced researcher and lecturer.

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