The Ashgate Research Companion to Japanese MusicAlison Tokita, Dr. David W. Hughes Ashgate Publishing, Ltd., 2008 - Всего страниц: 446 This is the first book to cover in detail all genres of Japanese music including court music, Buddhist chant, theatre music, chamber ensemble music and folk music, as well as contemporary music and the connections between music and society in various periods. The book is a collaborative effort, involving both Japanese and English speaking authors, and was conceived by the editors to form a balanced approach that comprehensively treats the full range of Japanese musical culture. |
Содержание
history of gagaku and shōmyō | 35 |
music of gagaku and shōmyō | 49 |
The musical narrative of The Tale of the Heike | 77 |
The Kyushu biwa traditions | 105 |
music from the medieval theatre | 127 |
The shakuhachi and its music | 145 |
Edoperiod chamber music | 169 |
music of the bunraku puppet theatre | 197 |
Popular music before the Meiji period | 261 |
from local to national to global | 281 |
The music of Ryukyu | 303 |
The music of the Ainu | 323 |
Popular music in modern Japan | 345 |
Westerninfluenced classical music in Japan | 363 |
383 | |
AudioVideography | 421 |
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The Ashgate Research Companion to Japanese Music Alison Tokita,David Weirick Hughes Просмотр фрагмента - 2008 |
Часто встречающиеся слова и выражения
accompaniment Ainu Ainu music basic blind Buddhist bunraku called century ceremony Chapter Chinese composers compositions context culture developed Edo period ensemble Example Figure flute formulas gagaku geinō genres gidayū gidayū-bushi hauta heike biwa Heike monogatari heikyoku honkyoku iemoto instruments Japan Japanese music jiuta jōruri kabuki Kengyō kenkyū kiyomoto Komoda komusō koto kouta kudoki kumiuta kyōgen kyokusetsu Kyoto Meiji melodic patterns melody min'yō modern mōsō musicians nagauta narrative notation Okinawan Ongaku no Tomo Osaka performing arts pieces pitch played players popular music popular song Prefecture recordings repertoire repertory rhythm ritual Ryukyuan sankyoku Satsuma satsuma-biwa scale scene senritsukei shakuhachi shamisen shamisen music Shingon shō Shobō shōmyō singers singing sōkyoku solo sound strings structure style sung techniques Tendai tenpuku theatre Tōdō tōgaku Tokita tokiwazu Tokyo Tomo Sha tone tonkori track traditional music transmission tuning utai utazawa vocal voice Western music zatō