Fascism in Italian Cinema since 1945: The Politics and Aesthetics of Memory

Передняя обложка
Palgrave Macmillan UK, 29 мая 2013 г. - Всего страниц: 262
From neorealism's resolve to Berlusconian revisionist melodramas, this book examines cinema's role in constructing memories of Fascist Italy. Italian cinema has both reflected and shaped popular perceptions of Fascism, reinforcing or challenging stereotypes, remembering selectively and silently forgetting the most shameful pages of Italy's history.

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Fascism in Italian Cinema since 1945: The Politics and Aesthetics of Memory
G. Lichtner
Ограниченный просмотр - 2013
Fascism in Italian Cinema since 1945: The Politics and Aesthetics of Memory
G. Lichtner
Ограниченный просмотр - 2013
Fascism in Italian Cinema since 1945: The Politics and Aesthetics of Memory
G. Lichtner
Недоступно для просмотра - 2013

Об авторе (2013)

Giacomo Lichtner is Senior Lecturer in History and Film at Victoria University of Wellington, New Zealand. He is a cultural historian and his research focuses specifically on the relationship between history and film, cinema as both a mirror and creator of social trends and the political uses of cinema to create national and political identities. In addition to a number of articles and essays, he is author of Film and the Shoah in France and Italy (Vallentine Mitchell, 2008).

Библиографические данные

НазваниеFascism in Italian Cinema since 1945: The Politics and Aesthetics of Memory
АвторG. Lichtner
Издание:иллюстрированное
ИздательPalgrave Macmillan UK, 2013
ISBN0230363326, 9780230363328
Количество страницВсего страниц: 262
  
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