Japanese Hermeneutics: Current Debates on Aesthetics and InterpretationJapanese Hermeneutics provides a forum for the most current international debates on the role played by interpretative models in the articulation of cultural discourses on Japan. It presents the thinking of esteemed Western philosophers, aestheticians, and art and literary historians, and introduces to English-reading audiences some of Japan's most distinguished scholars, whose work has received limited or no exposure in the United States. In the first part, Hermeneutics and Japan, contributors examine the difficulties inherent in articulating otherness without falling into the trap of essentialization and while relying on Western epistemology for explanation and interpretation. In the second part, Japan's Aesthetic Hermeneutics, they explore the role of aesthetics in shaping discourses on art and nature in Japan. The essays in the final section of the book, Japan's Literary Hermeneutics, rethink the notion of Japanese literature in light of recent findings on the ideological implications of canon formations and transformations within Japan's prominent literary circles. |
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Gianni Vastimo | 9 |
Poetics of Intransitivity | 17 |
AttWay W | 25 |
A Philosophy of Japanese Composition | 36 |
Rock in the DryLandscape Garden | 44 |
The Link between | 60 |
A Japanese Version of Utilitatian Aesthetics | 89 |
Nature the Natutalization of Experience as National | 130 |
Onishi Yoshinotis Citeek Genealogies of Japan | 142 |
Global and Ethnic Nationalism | 165 |
What Is Bungaku? The Refotmulation of the Concept of Literature | 176 |
Heideggets Hetmeneutics and Manyoshii | 189 |
Saito Mokichis Poetics of Shasei | 206 |
1 5 | 230 |
Conttibutots | 241 |
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Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation Michael F. Marra Ограниченный просмотр - 2002 |
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according aesthetic ancient appears artistic awate beauty become beginning Buddhist called century Chinese classical common concept concerning connection continuity criticism culture discussion distinction early East effect elements English essay ethics European example existence experience expression fact feeling Fenollosa ftom garden Heidegger hetmeneutics human idea ideal important individual influence intetptetation inttansitive Japan Japanese Japanese aesthetic kind landscape language lines literary literature look meaning Meiji method modern mono move nature natute Notinaga notion object Onishi original painting period philosophy poem poet poetic poetry position possible practice present principle refer relation result rocks seen sense social society speak spirit suggests tanka term theory things thought tion Tokyo tradition transitive translation undetstanding University verb Watsuji West Western writing
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Стр. 229 - ... of himself. Being the active center of that world he may boldly speak in the first person, only his "I" is not that of the actual waking man, but the "I" dwelling, truly and eternally, in the ground of being.
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