The Perception and Evocation of LiteratureScott, Foresman, 1973 - Всего страниц: 376 |
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Стр. 188
... experience . The sonorous form of the Blake poem is two sentences . The utterance of these two sentences is the complete sonorous experience . How would the following questions be answered ? How does the visual experience of two stanzas ...
... experience . The sonorous form of the Blake poem is two sentences . The utterance of these two sentences is the complete sonorous experience . How would the following questions be answered ? How does the visual experience of two stanzas ...
Стр. 194
... experience ? 2. What effect does the rhyme scheme produce ? - Are the rhyming words intensifying the experience by their locations at line endings ? - Are the rhyming words adding a tonal setting to the experience that is complementary ...
... experience ? 2. What effect does the rhyme scheme produce ? - Are the rhyming words intensifying the experience by their locations at line endings ? - Are the rhyming words adding a tonal setting to the experience that is complementary ...
Стр. 261
... experience and the form in which the experience takes place . The concept of poetic form as explored in this chapter has been that of " shape " or " container . " Obviously , there are no forms in prose the equivalent of the set and ...
... experience and the form in which the experience takes place . The concept of poetic form as explored in this chapter has been that of " shape " or " container . " Obviously , there are no forms in prose the equivalent of the set and ...
Содержание
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Авторские права | |
Не показаны другие разделы: 23
Часто встречающиеся слова и выражения
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer