The Perception and Evocation of LiteratureScott, Foresman, 1973 - Всего страниц: 376 |
Результаты поиска по книге
Результаты 1 – 3 из 31
Стр. 7
... discussion . The chapter is conceived not only as an introduction but as a summation , and should be so used . For instructors who are , perhaps , unfamiliar with the vagaries of performance , it is urged that criticisms of performances ...
... discussion . The chapter is conceived not only as an introduction but as a summation , and should be so used . For instructors who are , perhaps , unfamiliar with the vagaries of performance , it is urged that criticisms of performances ...
Стр. 266
... discussing form is absent in a discussion of style . The sense of neatness and order , of perceivable limits in a discussion of the elements of poetic form , for example , vanishes when we turn to the question of a writer's style . Both ...
... discussing form is absent in a discussion of style . The sense of neatness and order , of perceivable limits in a discussion of the elements of poetic form , for example , vanishes when we turn to the question of a writer's style . Both ...
Стр. 298
... discussion on each poetic form . ) 6. What elements of style are most attractive to the reader ? What are the ... discuss the function of the word symbolism in Thomas Wolfe's " Mead- ows of Sensation " ( Chapter 1 ) . 3. Discuss the role ...
... discussion on each poetic form . ) 6. What elements of style are most attractive to the reader ? What are the ... discuss the function of the word symbolism in Thomas Wolfe's " Mead- ows of Sensation " ( Chapter 1 ) . 3. Discuss the role ...
Содержание
The Uniqueness of Literature 8 | 11 |
The Presentational Mode as Creative ProblemSolving | 23 |
Behavioral Patterning | 62 |
Авторские права | |
Не показаны другие разделы: 23
Часто встречающиеся слова и выражения
ain't asked Atticus audience auditory behavior body chapter characters Charles Olson chiffarobe Cinquain concrete poetry congruent Copyright create creative dialogue Directions Publishing discussion dramatic literature Dylan Thomas E. E. Cummings effect elements event evocated IMPRESSION Evoke Ewell expression eyes face feel Finch free verse gesture Gilmer happened Hardwicke-Moore Harper Lee Horton Foote images interaction interpreter Jean Toomer Kill a Mockingbird Kool-Aid language literally looked meaning metaphor metaworld meter Miss Mayella mode mythic narrator night novel oral patterns perceived perception and evocation performance of literature person play poem poet poetry presentation Press prose psychological reader Reprinted by permission rhythm sense sentence silence sonnet sound space speak speech structure student style stylistic Sutpen syllables symbolic T. S. Eliot tell theater thee thing thought tion Tom Robinson understood and evocated verse visual voice Wire words writer