Deil tak' the war! I late and air, Hae wish'd since Jock departed; Fu' aft at e'en Wi' dancing keen, When a' were blythe and merry, Sae sad was I In absence o' my dearie. But, praise be blest, My mind's at rest, I'm happy wi' my Johnny : At kirk and fair, I'se ay be there, And be as canty's ony. "This tune," says Burns, "is originally from the Highlands: I have heard a Gaelic song to it, which I was told was very clever, but not by any means a lady's song." The Poet forgot to add that these verses were his own composition, and that he imitated the northern song in all but its indelicacy. The air, as well as the song, appeared for the first time in the Musical Museum: the former bears a close resemblance in the second part of the tune of 66 Saw ye Johnnie coming." AE FOND KISS. Tune-" Rory Dall's Port." I. AE fond kiss, and then we sever; Deep in heart-wrung tears I'll pledge thee, II. I'll ne'er blame my partial fancy, We had ne'er been broken-hearted. III. Fare thee weel, thou first and fairest! Deep in heart-wrung tears I'll pledge thee, "These exquisitely affecting stanzas," says Scott, "contain the essence of a thousand love tales." Byron admired them much, and frequently quoted them. They were inspired, it is believed, by the fair Clarinda, and are worthy of her wit, her talents, and her beauty. They have something of Thomson's feeling in them :— "For ever, fortune, wilt thou prove, An unrelenting foe to love; And when we meet a mutual heart, Step rudely in and bid us part; Bid us sigh on from day to day, And wish and wish the soul away; Till youth and genial years are flown, LOVELY DAVIES. Tune-" Miss Muir." I. O HOW shall I, unskilfu', try The poet's occupation, The tunefu' powers, in happy hours, That whispers inspiration? Each eye it cheers, when she appears, Like Phoebus in the morning, When past the shower, and ev'ry flower The garden is adorning. As the wretch looks o'er Siberia's shore, When winter-bound the wave is; Sae droops our heart when we maun part Frae charming lovely Davies. II. Her smile's a gift, frae 'boon the lift, The man in arms, 'gainst female charms, He hugs his chain, and owns the reign That beauty has been called fortunate which lived in the days of Reynolds; but the pencil of the painter never exhibited loveliness more gracefully than did the pen of Burns. He saw further than the mere May-morn flush of health and bloom; most of his heroines were handsome and witty. This song on "the charming lovely Davies" was written for the Museum. |