The Poetic Birth: Milton's Poems of 1645Scolar Press, 1991 - Всего страниц: 249 This book offers a reading of most of the poems collected by Milton in his youth and early maturity for Humphrey Moseley's publication of "The Poems of Mr John Milton" in 1645. The edition is examined as a poetic and political manifesto, anticipating many of the ideas more fully discussed in "Paradise Lost". Dr Moseley examines the development of Milton's poetic calling, its origins, authority and national importance, and sets these ideas in their European context. Also explored is Milton's inheritance not only from Classical authors but also from the Italians and Spenser. Dr Moseley then draws attention to the significant structure of the 1645 volume and discusses the manner in which Milton presents material, which was originally written for one audience and context, to another set of readers who knew him as a highly active political figure and who were intended to read this book in the months after the battle of Naseby. A prose translation of all the Latin poems is included. |
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Стр. 107
... Stanza XVI , however , dismisses this euphoric vision : three times the word ' yet ' stresses that this vision of glory is still in the future . At the heart of this stanza , the relative clause almost grotesquely connects the ' Babe ...
... Stanza XVI , however , dismisses this euphoric vision : three times the word ' yet ' stresses that this vision of glory is still in the future . At the heart of this stanza , the relative clause almost grotesquely connects the ' Babe ...
Стр. 110
... stanza XVI ) always close off the ideas of their stanzas . Taken with the line that precedes them , they make whole sense units , and are often marked off from the rest of the verse by a strong pause , colon or semicolon , at the end of ...
... stanza XVI ) always close off the ideas of their stanzas . Taken with the line that precedes them , they make whole sense units , and are often marked off from the rest of the verse by a strong pause , colon or semicolon , at the end of ...
Стр. 113
... stanza that the redemption and the Last Judgment that it necessarily implies are both first mentioned . And this stanza , uniquely , as if to mark out its importance , does not stop with its final alexandrine but carries straight on ...
... stanza that the redemption and the Last Judgment that it necessarily implies are both first mentioned . And this stanza , uniquely , as if to mark out its importance , does not stop with its final alexandrine but carries straight on ...
Содержание
The ceaseless round of study and reading | 20 |
3 | 28 |
and Orpheus | 54 |
Авторские права | |
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Часто встречающиеся слова и выражения
Aeneid ancient argument audience called Cambridge canzone century chastity Christ Christian Church Classical Comus contemporaries Damon Dante darkness death developed Diodati discussion divine earth echo Eclogue Elegy England English epic example Faerie Queene father glimpse Go home unfed God's gods Greek harmony heaven heavenly holy human hymn idea Il Penseroso important Italian John Milton Jove King L'Allegro Lady language Latin learned lines literary look Lycidas Mansus Marsilio Ficino masque matter Milton mind moral Muses Nativity Ode nature Neoplatonic Orpheus Ovid Paradise Lost paragraph Passion pastoral Penseroso Petrarch philosophical Phoebus Platonic pleasure poem poet poetic poetry political psalms readers Renaissance rhetoric rhyme seems sense serious Shepheardes Calendar shepherds singing Smectymnuus Solemn Music song Sonnet sort soul speech Spenser Spirit stanza stresses structure suggests symbolic Tasso Theocritus things understanding University Press Vergil verse virtue vision visual voice words writing
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Просмотр фрагмента - 2002 |
Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Ограниченный просмотр - 2002 |