The Poetic Birth: Milton's Poems of 1645Scolar Press, 1991 - Всего страниц: 249 This book offers a reading of most of the poems collected by Milton in his youth and early maturity for Humphrey Moseley's publication of "The Poems of Mr John Milton" in 1645. The edition is examined as a poetic and political manifesto, anticipating many of the ideas more fully discussed in "Paradise Lost". Dr Moseley examines the development of Milton's poetic calling, its origins, authority and national importance, and sets these ideas in their European context. Also explored is Milton's inheritance not only from Classical authors but also from the Italians and Spenser. Dr Moseley then draws attention to the significant structure of the 1645 volume and discusses the manner in which Milton presents material, which was originally written for one audience and context, to another set of readers who knew him as a highly active political figure and who were intended to read this book in the months after the battle of Naseby. A prose translation of all the Latin poems is included. |
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Стр. 7
... follows that its structure ought to mirror that process the notion that the form of the poem is organic to its impulse , that the individuality of the emotional impetus will , like water finding its own level , seek out naturally its ...
... follows that its structure ought to mirror that process the notion that the form of the poem is organic to its impulse , that the individuality of the emotional impetus will , like water finding its own level , seek out naturally its ...
Стр. 88
... follows . These are on a variety of subjects , and win a place merely because of their individual wit and quality . But numbers 13 and 14 , L'Allegro and Il Penseroso , the middle poems of this English / Italian group , are of ...
... follows . These are on a variety of subjects , and win a place merely because of their individual wit and quality . But numbers 13 and 14 , L'Allegro and Il Penseroso , the middle poems of this English / Italian group , are of ...
Стр. 131
... follows one common tradition in making them the children of Venus and Bacchus - children of Love and the god of the wine that maketh glad the heart of man but then omits their interpretation as symbols of the fruitfulness of the earth ...
... follows one common tradition in making them the children of Venus and Bacchus - children of Love and the god of the wine that maketh glad the heart of man but then omits their interpretation as symbols of the fruitfulness of the earth ...
Содержание
The ceaseless round of study and reading | 20 |
3 | 28 |
and Orpheus | 54 |
Авторские права | |
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Часто встречающиеся слова и выражения
Aeneid ancient argument audience called Cambridge canzone century chastity Christ Christian Church Classical Comus contemporaries Damon Dante darkness death developed Diodati discussion divine earth echo Eclogue Elegy England English epic example Faerie Queene father glimpse Go home unfed God's gods Greek harmony heaven heavenly holy human hymn idea Il Penseroso important Italian John Milton Jove King L'Allegro Lady language Latin learned lines literary look Lycidas Mansus Marsilio Ficino masque matter Milton mind moral Muses Nativity Ode nature Neoplatonic Orpheus Ovid Paradise Lost paragraph Passion pastoral Penseroso Petrarch philosophical Phoebus Platonic pleasure poem poet poetic poetry political psalms readers Renaissance rhetoric rhyme seems sense serious Shepheardes Calendar shepherds singing Smectymnuus Solemn Music song Sonnet sort soul speech Spenser Spirit stanza stresses structure suggests symbolic Tasso Theocritus things understanding University Press Vergil verse virtue vision visual voice words writing
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Просмотр фрагмента - 2002 |
Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Ограниченный просмотр - 2002 |