From Playhouse to Printing House: Drama and Authorship in Early Modern England

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Cambridge University Press, 14 дек. 2006 г. - Всего страниц: 316
This original study examines how Shakespeare and his contemporaries made the difficult transition from writing plays for the theater to publishing them as literary works. Douglas Brooks analyzes how and why certain plays found their way into print while many others failed to do so and looks at the role played by the Renaissance book trade in shaping literary reputations. Incorporating many finely-observed typographical illustrations, this book focuses on plays by Shakespeare, Jonson, Webster, and Beaumont and Fletcher as well as reviewing the complicated publication history of Thomas Heywood's work.

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Содержание

marketing printed drama
14
Sir John Oldcastle
66
the two Jonson folios
104
dramatic
140
Thomas Heywood and
189
of the author
221
Bibliography
268
Index
284
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