30 Yet on the breeze thou still wouldst hear pearing and disappearing. They resolved, at length, to leave Bartram's Travels through N. and S. Carolina, &c. The additional circumstances in the Isle of Founts are mere. ly imaginary. SON of the stranger! wouldst thou take O'er yon blue hills thy lonely way, Along whose banks the west-winds play? 'Midst the gray rocks, his old domain; Yes! there, with all its rainbow streams, Floats on the wave in golden light; And breathings from their sunny flowers, Shall greet thee in their purple sky; Or hast thou heard the sounds that rise To which the ancient rocks gave birth?† But wo for him who sees them burst That semblance in his soul shall wake The waters of our deserts lie, E'en thus our hunters came of yore And could they 'midst our wilds find rest? They lay beside our glittering rills, Where elk and deer before us fly; They bent no more the forest-bow, They armed not with the warrior band, Son of the stranger! if at eve Silence be 'midst us in thy place, The strength of battle and of chase! THE BENDED BOW. The Cherokees believe that the recesses of their mountains, overgrown with lofty pines and cedars, and covered with old mossy rocks, are inhabited by the kings or chiefs of the It is supposed that war was anciently proclaimed in Brirattlesnakes, whom they denominate the "bright old inhabitants." They represent them as snakes of an enormous size, tain by sending messengers in different directions through the and which possess the power of drawing to them every living land, each bearing a bended bow; and that peace was in like See the Cambrian Antiquities. creature that comes within the reach of their eyes. Their manner announced by a bow unstrung, and therefore straight. heads are said to be crowned with a carbuncle, of dazzling brightness. See notes to Leyden's "Scenes of Infancy." The stones on the banks of the Oronoco, called by the South American missionaries Laras de Musica, and alluded to in a former note. THERE was heard the sound of a coming foe, And the reaper armed, like a freeman's son, "Hunter! leave the mountain-chase! And the hunter armed ere the chase was done, "Chieftain! quit the joyous feast! And the chieftain armed, and the horn was blown, "Prince! thy father's deeds are told, In the bower and in the hold! Where the minstrel's harp is strung! Give our bards a tale of thee!" And the prince came armed, like a leader's son, "Mother! stay thou not thy boy! Britain calls the strong in heart!" And the bended bow and the voice passed on, HE NEVER SMILED AGAIN.* It is recorded of Henry the First, that after the death of his son, Prince William, who perished in a shipwreck off the coast of Normandy, he was never seen to smile. THE bark that held a prince went down, The sweeping waves rolled on; 'Originally published in the Literary Gazette. And what was England's glorious crown He lived-for life may long be borne Ere sorrow break its chain; Why comes not death to those who mourn? -He never smiled again! There stood proud forms around his throne, But which could fill the place of one, In pleasure's reckless train, But seas dashed o'er his son's bright hair- He sat where festal bowls went round; A murmur of the restless deep Was blent with every strain, A voice of winds that would not sleep- Hearts, in that time, closed o'er the trace Graves, which true love had bathed with tears, COEUR-DE-LION AT THE BIER OF HIS FATHER. The body of Henry the Second lay in state in the abbey church of Fontevraud, where it was visited by Richard Cœur. de-Lion, who, on beholding it, was struck with horror and remorse, and bitterly reproached himself for that rebellious conduct which had been the means of bringing his father to an untimely grave. TORCHES were blazing clear, Hymns pealing deep and slow, Where a king lay stately on his bier, In the church of Fontevraud. Banners of battle o'er him hung, And warriors slept beneath, And light, as Noon's broad light, was flung On the settled face of death. On the settled face of death Though dimmed at times by the censer's breath, -Alas! that sceptered mortal's race Had surely closed in wo! The marble floor was swept By many a long dark stole, As the kneeling priests round him that slept, Sang mass for the parted soul; And solemn were the strains they poured Through the stillness of the night, -Hushed, hushed-how is it that I call, "Thy silver hairs I see, So still, so sadly bright! And father, father! but for me, They had not been so white! With the cross above, and the crown and sword, I bore thee down, high heart! at last, And the silent king in sight. There was heard a heavy clang, As of steel-girt men the tread, And the tombs and the hollow pavement rang And the holy chaunt was hushed awhile, A gleam of arms, up the sweeping aisle, He came with haughty look, An eagle-glance and clear, But his proud heart through its breast-plate shook, He stood there still with a drooping brow, It was Coeur-de-Lion gazed! And silently he strove With the workings of his breast, -But there's more in late repentant love Than steel may keep suppressed! And his tears brake forth, at last, like rain— Men held their breath in awe, For his face was seen by his warrior-train, He looked upon the dead, A weight of sorrow, even like lead, He stooped-and kissed the frozen cheek, And the heavy hand of clay, Till bursting words-yet all too weak- No longer couldst thou strive;Oh! for one moment of the past, To kneel and say-' Forgive!' "Thou wert the noblest king, On royal throne e'er seen; And thou didst wear, in knightly ring, Of all, the stateliest mien; And thou, didst prove, where spears are proved In war, the bravest heart- -Oh! ever the renowned and loved Thou wert-and there thou art! "Thou that my boyhood's guide Didst take fond joy to be!The times I've sported at thy side, And climbed thy parent-knee! And there before the blessed shrine, My sire! I see thee lie,— How will that sad still face of thine Look on me till I die!" THE VASSAL'S LAMENT FOR THE FALLEN TREE. "Here (at Brereton in Cheshire) is one thing incredibly strange, but attested, as I myself have heard, by many persons, and commonly believed. Before any heir of this family dies, there are seen, in a lake adjoining, the bodies of trees swimming on the water for several days." Camden's Britannia. YES! I have seen the ancient oak On the dark deep water cast, And it was not felled by the woodman's stroke, For the axe might never touch that tree, I saw it fall, as falls a chief By an arrow in the fight, And the old woods shook, to their loftiest leaf At the crashing of its might! And the startled deer to their coverts drew, And the spray of the lake as a fountain's flew! "Tis fallen! but think thou not I weep For the forest's pride o'erthrown; An old man's tears lie far too deep, To be poured for this alone! But by that sign too well I know, That a youthful head must soon be low! A youthful head, with its shining hair, But on his brow the mark is set- He bounded by me as I gazed Alone on the fatal sign, And it seemed like sunshine when he raised His joyous glance to mine! With a stag's fleet step he bounded by, He must, he must! in that deep dell, 'Tis known that ne'er a proud tree fell, And he there's laughter in his eye, I've borne him in these arms, that now I must!-yon green oak, branch and crest, The noble boy!-how proudly sprung It seemed like youth to see him young, But the hour of the knell and the dirge is nigh, Say not 'tis vain!-I tell thee, some Are warned by a meteor's light, Or a pale bird flitting calls them home, Or a voice on the winds by night; And they must go!—and he too, he— -Wo for the fall of the glorious Tree! THE WILD HUNTSMAN. It is a popular belief in the Odenwald, that the passing of the Wild Huntsman announces the approach of war. He is supposed to issue with his train from the ruined castle of Rodenstein, and traverse the air to the opposite castle of Schnellerts. It is confidently asserted that the sound of his phantom horses and hounds was heard by the Duke of Baden before the commencement of the last war in Germany. THY rest was deep at the slumberer's hour If thou didst not hear the blast Of the savage horn, from the mountain-tower, Through the dark unquiet sky! The stag sprung up from his mossy bed The banner shook on its ancient hold, And the pine in its desert-place, As the cloud and tempest onward rolled And the glens were filled with the laugh and shout, From the chieftain's hand the wine-cup fell, At the castle's festive board, And a sudden pause came o'er the swell The convent's chanted rite was stayed, The storm hath swept with the chase away, But the mother looks on her son to-day, And the maiden's brow hath a shade of care The Rhine flows bright, but its waves ere long And a clash of spears our hills among, And a trumpet from afar; And the brave on a bloody turf must lie, THE SHADE OF THESEUS. ANCIENT GREEK TRADITION. KNOW ye not when our dead From sleep to battle sprung? -When the Persian charger's tread On their covering greensward rung! Had crushed our vines and flowers, When banners caught the breeze, There was one, a leader crowned, With his tall and shadowy crest; Though their path was through his breast. When banners caught the breeze, His sword was seen to flash Where the boldest deeds were done; But it smote without a clash; The stroke was heard by none! His voice was not of those That swelled the rolling blast, When banners caught the breeze, Far sweeping through the foe, And the foaming waves grew red, And the sails were crowded fast, When the sons of Asia fled, As the Shade of Theseus passed! When banners caught the breeze, ANCIENT GREEK SONG OF EXILE. WHERE is the summer, with her golden sun! -That festal glory hath not passed from earth: For me alone the laughing day is done! Where is the summer with her voice of mirth? -Far in my own bright land! Where are the Fauns, whose flute-notes breathe and die On the green hills? the founts, from sparry caves Through the wild places bearing melody? The reeds, low whispering o'er the river waves? -Far in my own bright land! Where are the temples, through the dim wood shining, The virgin-dances, and the choral strains? Where the sweet sisters of my youth entwining The Spring's first roses for their sylvan fanes? -Far in my own bright land! Where are the vineyards, with their joyous throngs, The red grapes pressing when the foliage fades? The lyres, the wreaths, the lovely Dorian songs, And the pine forests, and the olive shades? -Far in my own bright land! Where the deep haunted grots, the laurel bowers, The Dryad's footsteps, and the minstrel's dreams? -Oh! that my life were as a southern flower's! GREEK FUNERAL CHANT OR MYRI OLOGUE. "Les Chants Funèbres par lesquels on déplore en Grèce la mort de ses proches, prennent le nom particulier de Myriologia, comme qui dirait, Discours de lamentation, complaintes. Un malade vient-il de rendre le dernier soupir, sa femme, sa mère, ses filles, ses sœurs, celles, en un mot, de ses plus proches parentes qui sont là, lui ferment les yeux et la bouche, en épanchant librement, chacune selon son naturel et sa mesure de tendresse pour le défunt, la douleur qu'elle ressent de sa perte. Ce premier devoir rempli, elles se retirent toutes chez une de leurs parentes ou de leurs amies. Là elles changent |