Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyUniversity of Wisconsin Press, 2004 - Всего страниц: 306 Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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... voice and viewpoint with poetry making . Not only did these women lack literary social capital - access to the education , mentors , literary gatekeepers and opinion - makers , and often the social connections they needed to make a ...
... voice and authority to chastise men and even rulers.2 For example , in Pushkin's “ Prorok ” ( The prophet , 1826 ) the prophet - poet becomes God's surrogate , able to burn people's hearts " with the word . " In Baratynsky's " Poslednii ...
... voice , and ... her physical appearance was not quite to her credit " ; the writer Dmitrii Grigorevich described Pavlova as “ a bony lady of tall stature , with a face reminiscent of an energetic man rather than a woman " ; the censor ...
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Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth Century Diana Greene Ограниченный просмотр - 2004 |
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