Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyUniversity of Wisconsin Press, 2004 - Всего страниц: 306 Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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... poet's literary social capital . Thus , for reasons that will be discussed in chap- ters 1 and 2 , even well - to ... poet , occupies what can be thought of as the first circle or the top of a hier- archy . Just below him we find his ...
... poet's masculine gender is perceived as neutral , the poetess's " exposed genderedness " ( Death in Quotation Marks , 197 ) ( in Russian represented by " marked " feminine adjectives and past - tense verbs ) renders her an " an ...
... poet becomes God's surrogate , able to burn people's hearts " with the word . " In Baratynsky's " Poslednii poet " ( The last poet , 1834 ) the poet's death expresses the ultimate condemnation of a civilization that has rejected both ...
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Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth Century Diana Greene Ограниченный просмотр - 2004 |
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