Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyUniversity of Wisconsin Press, 2004 - Всего страниц: 306 Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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... Elegy In Russia the elegy may be considered a central — or even the central— Romantic poetic genre . At the dawn of Romanticism , the writer and his- torian Nikolai Karamzin wrote , " The first poetry was elegiac " ( " Pervaia Poeziia ...
... elegies to tell different stories . We can infer other gender norms of the elegy from the work of the twentieth - century American scholar Peter Sacks , whose influential study of the English elegy may be applied to many nineteenth ...
... elegy in function and form . In con- trast to the classical , male - centered , literary elegy , the prichitanie is oral , improvised , public , and performed by women . Rather than a private act of mourning , it voices the grief of a ...
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