But sudden, see, she lifts her head! XXIV. LAY OF THE IMPRISONED HUNTSMAN. 'My hawk is tired of perch and hood, I wish I were, as I have been, I hate to learn the ebb of time From yon dull steeple's drowsy chime, Or mark it as the sunbeams crawl, The lark was wont my matins ring, No more at dawning morn I rise, A blithesome welcome blithely meet, XXV. The heart-sick lay was hardly said, The list'ner had not turn'd her head, It trickled still, the starting tear, When light a footstep struck her ear, And Snowdoun's graceful knight was near. She turn'd the hastier, lest again 'O welcome, brave Fitz-James!' she said; 'How may an almost orphan maid XXVI. Within 'twas brilliant all and light, And fearful round the presence gazed; For him she sought, who own'd this state, The dreaded prince whose will was fate. She gazed on many a princely port, Midst furs, and silks, and jewels sheen, XXVII. As wreath of snow, on mountainbreast, Slides from the rock that gave it rest, O! not a moment could he brook, The generous prince, that suppliant look! Gently he raised her; and, the while, Check'd with a glance the circle's smile; Graceful, but grave, her brow he kiss'd, And bade her terrors be dismiss'd: The fealty of Scotland claims. I, from his rebel kinsmen, wrong. Calmly we heard and judged his cause, And Bothwell's Lord henceforth we own The friend and bulwark of our Throne. XXVIII. Then forth the noble Douglas sprung, Steal not my proselyte away! Yes, Ellen, when disguised I stray Thus watch I o'er insulted laws, Ah, little traitress! none must know What idle dream, what lighter thought, What vanity full dearly bought, Join'd to thine eye's dark witchcraft, drew My spell-bound steps to Benvenue, Aloud he spoke-' Thou still dost hold XXIX. Full well the conscious maiden guess'd He probed the weakness of her breast; But, with that consciousness, there came A lightening of her fears for Græme, And more she deem'd the Monarch's ire Kindled 'gainst him, who, for her sire, Rebellious broadsword boldly drew; My fairest earldom would I give 'Nay, then, my pledge has lost its force, Lord. 'Forthee, rash youth, no suppliant sues, Who, nurtured underneath our smile, HARP of the North, farewell! The hills grow dark, Resume thy wizard elm! the fountain lending, And the wild breeze, thy wilder minstrelsy; Thy numbers sweet with nature's vespers blending, With distant echo from the fold and lea, And herd-boy's evening pipe, and hum of housing bee. Yet once again farewell, thou Minstrel harp! Yet once again forgive my feeble sway, And little reck I of the censure sharp Through secret woes the world has When on the weary night dawn'd wearier day, And bitterer was the grief devour'd alone. That I o'erlive such woes, Enchantress! is thine own. Hark! as my lingering footsteps slow retire, Some Spirit of the Air has waked thy string! 'Tis now a seraph bold, with touch of fire, 'Tis now the brush of Fairy's frolic wing. Receding now, ,the dying numbers ring Fainter and fainter down the rugged dell, On purple peaks a deeper shade And now the mountain breezes scarcely descending; In twilight copse the glow-worm lights her spark, The deer, half-seen, are to the covert wending. bring A wandering witch-note of the dis tant spell And now, 'tis silent all!- Enchantress, fare thee well! END OF THE LADY OF THE LAKE. Introduction and Notes to The Lady of the Eake. INTRODUCTION TO THE EDITION OF 1830. AFTER the success of 'Marmion,' I felt inclined to exclaim with Ulysses in the · Odyssey' Οὗτος μὲν δὴ ἄεθλος αάατος ἐκτετέλεσται Νῦν αὖτε σκοπὸν ἄλλον. Odys. x. 1. 5. 'One venturous game my hand has won to-day— Another, gallants, yet remains to play.' The ancient manners, the habits and customs of the aboriginal race by whom the Highlands of Scotland were inhabited, had always appeared to me peculiarly adapted to poetry. The change in their manners, too, had taken place almost within my own time, or at least I had learned many particulars concerning the ancient state of the Highlands from the old men of the last generation. I had always thought the old Scottish Gael highly adapted for poetical composition. The feuds, and political dissensions, which, half a century earlier, would have rendered the richer and wealthier part of the kingdom indisposed to countenance a poem, the scene of which was laid in the Highlands, were now sunk in the generous compassion which the English, more than any other nation, feel for the misfortunes of an honourable foe. The Poems of Ossian had, by their popularity, sufficiently shown, that if writings on Highland subjects were qualified to interest the reader, mere national prejudices were, in the present day, very unlikely to interfere with their success. I had also read a great deal, seen much, and heard more, of that romantic country, where I was in the habit of spending some time every autumn; and the scenery of Loch Katrine was connected with the recollection of many a dear friend and merry expedition of former days. This poem, the action of which lay among scenes so beautiful, and so deeply imprinted on my recollection, was a labour of love; and it was no less so to recall the manners and incidents introduced. The frequent custom of James IV, and particularly of James V, to walk through their kingdom in disguise, afforded me the hint of an incident, which never fails to be interesting, if managed with the slightest address or dexterity. may now confess, however, that the employment, though attended with great pleasure, was not without its doubts and anxieties. A lady, to whom I was nearly related, and with whom I lived, during her whole life, on the most brotherly terms of affection, was residing with me at the time when the work was in progress, and used to ask me, what I could possibly do to rise so early in the morning (that happening to be the most convenient time to me for composition). At last I told her the subject of my meditations; and I can never forget the anxiety and affection expressed in her reply. 'Do not be so rash,' she said, 'my dearest cousin. You are already popular-more so, perhaps, than you yourself will believe, or than even I, or other partial friends, can fairly allow to your merit. You stand highdo not rashly attempt to climb higher, and incur the risk of a fall; for, depend upon it, a favourite will not be permitted even to stumble with impunity.' I replied to this affectionate expostulation in the words of Montrose 'He either fears his fate too much, 'If I fail,' I said, for the dialogue is strong in my recollection, it is a sign that I ought never to have succeeded, and I will write prose for life: you shall see no change in my temper, nor will I eat a single meal the worse. But if I succeed, "Up with the bonnie blue bonnet, The dirk, and the feather, and a'!" Afterwards, I showed my affectionate and anxious critic the first canto of the poem, which reconciled her to my imprudence. Nevertheless, although I answered thus confidently, with the obstinacy often said to be proper to those who bear my surname, I acknowledge that my confidence was considerably shaken by the warning of her excellent taste and unbiassed friendship. Nor was I much comforted by her retractation of the unfavourable judgment, when I recollected how likely a natural partiality was to effect that change of opinion. In such cases, affection rises like a light on the canvas, improves any favourable tints which it formerly exhibited, and throws its defects into the shade. I remember that about the same time a friend started in to 'heeze up my hope,' like the 'sportsman with his cutty gun' in the old song. He was bred a farmer, but a man of powerful understanding, natural good taste, and warm poetical feeling, perfectly competent to supply the wants of an imperfect or irregular education. He was a passionate admirer of field-sports, which we often pursued together. As this friend happened to dine with me at Ashestiel one day, I took the opportunity of reading to him the first canto of The Lady of the Lake,' in order to ascertain the effect the poem was likely to produce upon a person who was but too favourable a representative of readers at large. It is, of course, to be supposed that I determined rather to guide my opinion by what my friend might appear to feel, than by what he might think fit to say. His reception of my recitation, or prelection, was rather singular. He placed his hand across his brow, and listened with great attention through the whole account of the stag-hunt, till the dogs threw themselves into the lake to follow their master, who embarks with Ellen Douglas. He then started up with a sudden exclamation, struck his hand on the table, and declared, in a voice of censure calculated for the occasion, that the dogs must have been totally ruined by being permitted to take the water after such a severe chase. I own I was much encouraged by the species of reverie which had possessed so zealous a follower of the sports of the ancient Nimrod, who had been completely surprised out of all doubts of the reality of the tale. Another of his remarks gave me less pleasure. He detected the identity of the King with the wandering knight, Fitz-James, when he winds his bugle to summon his attendants. He was probably thinking of the lively, but somewhat licentious, old ballad, in which the denoue ment of a royal intrigue takes place as follows: 'He took a bugle frae his side, He blew both loud and shrill, And he was the brawest gentleman And we'll go no more a-roving,' &c. 1 This discovery, as Mr. Pepys says of the rent in his camlet cloak, was but a trifle, yet it troubled me; and I was at a good deal of pains to efface any marks by which I thought my secret could be traced before the conclusion, when I relied on it with the same hope of producing effect, with which the Irish postboy is said to reserve a 'trot for the avenue.' I took uncommon pains to verify the accuracy of the local circumstances of this story. I recollect, in particular, that to ascertain whether I was telling a probable tale, I went into Perthshire, to see whether King James could actually have ridden from the banks of Loch Vennachar to Stirling Castle within the time supposed in the Poem, and had the pleasure to satisfy myself that it was quite practicable. After a considerable delay, 'The Lady of the Lake' appeared in May 1810; and its success was certainly so extraordinary as to induce me for the moment to conclude that I had at last fixed a nail in the proverbially inconstant wheel of Fortune, whose stability in behalf of an individual who had so boldly courted her favours for three successive times, had not as yet been shaken. I had attained, perhaps, that degree of public reputation at which prudence, or certainly timidity, would have made a halt, and discontinued efforts by which I was far more likely to diminish my fame than to increase it. But, as the celebrated John Wilkes is said to have explained to his late Majesty, that he himself, amid his full tide of popularity, was never a Wilkite, so I can, with honest truth, exculpate myself from having been at any time a partisan of my own poetry, even when it was in the highest fashion with the million. It must not be supposed, that I was either so ungrateful, or so superabundantly candid, as to despise or scorn the value of those whose voice had elevated me so much higher than my own opinion told me I deserved. I felt, on the contrary, the more grateful to the public, as receiving that from partiality to me, which I could not have claimed from merit; and I endeavoured to deserve the partiality, by continuing such exertions as I was capable of for their amuse |