William WordsworthHarold Bloom Chelsea House, 2007 - Всего страниц: 280 Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Стр. 97
... fact is signaled by what we loosely call " context " ” — its inscription in an order or language whose structure is prior to its meaning ( signifieds ) and so determines it . On the other hand , an image ( fantasy or perception ) may ...
... fact is signaled by what we loosely call " context " ” — its inscription in an order or language whose structure is prior to its meaning ( signifieds ) and so determines it . On the other hand , an image ( fantasy or perception ) may ...
Стр. 141
... fact that our own occupation as literary scholars working within a university context is as exceptional as poetry itself . The privilege that causes our concern will not be cancelled by mimic wars against the " aesthetic ” element in ...
... fact that our own occupation as literary scholars working within a university context is as exceptional as poetry itself . The privilege that causes our concern will not be cancelled by mimic wars against the " aesthetic ” element in ...
Стр. 239
... fact that it is presented as being dramatic rather than simply being so . With the ' stage directions ' given above , for example , such comments operate as a frame which does not simply introduce the speech but reminds us of its ...
... fact that it is presented as being dramatic rather than simply being so . With the ' stage directions ' given above , for example , such comments operate as a frame which does not simply introduce the speech but reminds us of its ...
Содержание
Two Roads to Wordsworth | 11 |
Tintern Abbey | 23 |
The Prelude and the Love of Man | 47 |
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affections appears become Beggar Blake Book called Cambridge characters Chartreuse child childhood Coleridge Coleridge's consciousness criticism dark death Dennis Taylor Dorothy Dorothy Wordsworth dramatic poem early earth Emerson English essay Excursion experience external fact fear feelings Freud genius Geoffrey Hartman glory Grasmere Harold Bloom Hawkshead hear heart heaven Hermit human imagination immortality influence Intimations Ode kind landscape language lines literary Lyrical Ballads M. H. Abrams memory metaphor Milton mind mother myth nature Nature's Oxford Paradise Lost passage passion past perception play poet poet's poetic Prelude present question reader reading repression Romantic Romanticism scene seems sense sight signifier simple Simplon Simplon Pass solipsism solitude song soul speaking spirit spots stage stanza structure sublime symbol theme things thou thoughts Tintern Abbey tradition trope University Press verse visible vision visionary voice William Wordsworth words Wordsworth's Poetry Wordsworthian writing written Yale University