Beginning Theory: An Introduction to Literary and Cultural TheoryManchester University Press, 7 сент. 2002 г. - Всего страниц: 290 In this second edition of Beginning Theory, the variety of approaches, theorists, and technical language is lucidly and expertly unraveled and explained, and allows readers to develop their own ideas once first principles have been grasped. Expanded and updated from the original edition first published in 1995, Peter Barry has incorporated all of the recent developments in literary theory, adding two new chapters covering the emergent Eco-criticism and the re-emerging Narratology. |
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Стр. ii
... readers , who have the right to expect lucidity and clarity to be the distinctive feature of a book which includes the word ' beginning ' in its title . Each will aim to lay a firm foundation of well understood initial prin- ciples as a ...
... readers , who have the right to expect lucidity and clarity to be the distinctive feature of a book which includes the word ' beginning ' in its title . Each will aim to lay a firm foundation of well understood initial prin- ciples as a ...
Стр. ix
... Further reading 279 General guides 279 Reference books 280 General readers 280 Applying critical theory : twelve early examples 281 Against theory 283 Index 285 Acknowledgements You'd better not look down , If you want Contents ix.
... Further reading 279 General guides 279 Reference books 280 General readers 280 Applying critical theory : twelve early examples 281 Against theory 283 Index 285 Acknowledgements You'd better not look down , If you want Contents ix.
Стр. 4
... reader . Further , some intensive reading of this kind will enable you to quote lines other than the handful that are cited in all the commentaries . And most importantly , your view of things will be your own , perhaps quirky and ...
... reader . Further , some intensive reading of this kind will enable you to quote lines other than the handful that are cited in all the commentaries . And most importantly , your view of things will be your own , perhaps quirky and ...
Стр. 5
... reader rather than a passive one , and gives your reading a purpose . R1 Now Read the whole piece . Use a pencil if the copy is your own to underline key points , query difficulties , circle phrases worth remembering , and so on . Don't ...
... reader rather than a passive one , and gives your reading a purpose . R1 Now Read the whole piece . Use a pencil if the copy is your own to underline key points , query difficulties , circle phrases worth remembering , and so on . Don't ...
Стр. 7
... readers . Writing with a high proportion of these characteristics can be off - putting and wearying , and it is easy to lose patience . But the frame of mind I would recommend at the outset is threefold . Firstly , we must have some ...
... readers . Writing with a high proportion of these characteristics can be off - putting and wearying , and it is easy to lose patience . But the frame of mind I would recommend at the outset is threefold . Firstly , we must have some ...
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VII | 11 |
VIII | 16 |
IX | 21 |
X | 31 |
XI | 32 |
XII | 34 |
XIII | 36 |
XIV | 39 |
LXVI | 163 |
LXVII | 166 |
LXVIII | 167 |
LXIX | 168 |
LXX | 170 |
LXXI | 172 |
LXXII | 174 |
LXXIII | 175 |
XV | 41 |
XVI | 45 |
XVII | 46 |
XVIII | 49 |
XIX | 50 |
XX | 53 |
XXI | 55 |
XXII | 57 |
XXIII | 60 |
XXIV | 61 |
XXV | 65 |
XXVI | 68 |
XXVII | 70 |
XXVIII | 73 |
XXX | 79 |
XXXI | 81 |
XXXII | 85 |
XXXIII | 90 |
XXXIV | 91 |
XXXVI | 94 |
XXXVII | 96 |
XXXVIII | 98 |
XXXIX | 101 |
XL | 102 |
XLI | 105 |
XLIII | 108 |
XLIV | 115 |
XLVI | 118 |
XLVII | 121 |
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XLIX | 126 |
L | 130 |
LI | 133 |
LII | 134 |
LIV | 136 |
LV | 139 |
LVI | 140 |
LVII | 143 |
LVIII | 148 |
LIX | 149 |
LX | 150 |
LXI | 153 |
LXII | 156 |
LXIII | 158 |
LXIV | 159 |
LXV | 161 |
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LXXV | 178 |
LXXVI | 179 |
LXXVIII | 182 |
LXXIX | 184 |
LXXX | 186 |
LXXXI | 187 |
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LXXXV | 194 |
LXXXVI | 198 |
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LXXXIX | 201 |
XC | 203 |
XCI | 205 |
XCII | 208 |
XCIII | 210 |
XCIV | 213 |
XCV | 214 |
XCVI | 215 |
XCVII | 219 |
XCIX | 222 |
C | 224 |
CI | 226 |
CII | 231 |
CIII | 239 |
CIV | 240 |
CV | 241 |
CVI | 242 |
CVII | 246 |
CVIII | 248 |
CIX | 251 |
CX | 257 |
CXI | 261 |
CXII | 264 |
CXIV | 269 |
CXV | 272 |
CXVI | 275 |
CXVII | 276 |
CXVIII | 279 |
CXIX | 280 |
CXXI | 281 |
CXXII | 283 |
285 | |
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Beginning Theory: An Introduction to Literary and Cultural Theory Peter Barry Просмотр фрагмента - 2002 |
Часто встречающиеся слова и выражения
2nd edn analysis approach aspects Barthes British called century chapter character close reading context contrast course critical theory cultural materialism deconstruction Derrida diegesis discussed distinction ecocriticism ecocritics emphasis English English studies essay example F. R. Leavis feelings female feminism feminist criticism Feminist Literary Criticism Firstly Freud Freudian gender Hamlet Hence hero historicism historicist I. A. Richards ideas identity instance interpretation introduction kind Lacan Lacanian language lesbian lesbian feminism lesbian/gay liberal humanist linguistic literary criticism literary text Literary Theory literature major male Marxist Marxist criticism meaning modernism narrative narratology narrator nature notion novel play poem poet poetry political post-structuralism post-structuralist postcolonial postcolonial criticism postmodernism practice psychoanalytic Reader reality representation represented Roland Barthes Routledge seen sense sexual Shakespeare signified simply social stage STOP and THINK story structuralist structure stylistics tale textual things tion traditional unconscious University Press women word writing