Shakespeare in Performance: A Collection of EssaysFrank Occhiogrosso University of Delaware Press, 2003 - Всего страниц: 147 The essays in this book deal with the nature of performance criticism, performance history, state and screen productions of Shakespeare and the physical playhouse. These essays, by John Russell Brown, James Bulman, Ralph Berry, Herbert Coursen, Jay Halio, James Lusardi, June Schlueter, Harry Keyishian, Alan Dessen, Pauline Kiernan, and Marvin Rosenberg, represent some of the best current thinking on the roles of performance in criticism of Shakespeare. |
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... productions of Shakespeare , and the physical playhouse . All but one of the essays were originally papers presented at a conference entitled " Shakespeare in Per- formance , " organized and run by the editor at Drew University in June ...
... productions of Shakespeare , and the physical playhouse . All but one of the essays were originally papers presented at a conference entitled " Shakespeare in Per- formance , " organized and run by the editor at Drew University in June ...
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... production . 2. Shakespeare , William , 1564-1616 - Stage history - 1950- I. Occhiogrosso , Frank , 1943- PR3091 .S3627 2003 792.9'5 - dc21 2002018093 PRINTED IN THE UNITED STATES OF AMERICA Introduction FRANK OCCHIOGROSSO Contents 7 ...
... production . 2. Shakespeare , William , 1564-1616 - Stage history - 1950- I. Occhiogrosso , Frank , 1943- PR3091 .S3627 2003 792.9'5 - dc21 2002018093 PRINTED IN THE UNITED STATES OF AMERICA Introduction FRANK OCCHIOGROSSO Contents 7 ...
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... productions from the 1990s , but also because of its consideration of the implications of the shift in emphasis , in many recent productions , from Shylock to Antonio . Bulman's is a stage his- tory that will be very useful to teachers ...
... productions from the 1990s , but also because of its consideration of the implications of the shift in emphasis , in many recent productions , from Shylock to Antonio . Bulman's is a stage his- tory that will be very useful to teachers ...
Стр. 9
... productions of the play . From a Fascist 1930s Italy set- ting complete with black - shirted thugs , to a 1980s London setting emphasizing banking and the stock exchange , Berry comes to several productions that emphasize the physical ...
... productions of the play . From a Fascist 1930s Italy set- ting complete with black - shirted thugs , to a 1980s London setting emphasizing banking and the stock exchange , Berry comes to several productions that emphasize the physical ...
Стр. 10
... productions of Shakespeare , here focuses on the largely ignored Stuart Burge film of Julius Caesar and examines the translation into cinematic terms of the verbal images of storm , fire , and blood in the play . Keyishian looks at mise ...
... productions of Shakespeare , here focuses on the largely ignored Stuart Burge film of Julius Caesar and examines the translation into cinematic terms of the verbal images of storm , fire , and blood in the play . Keyishian looks at mise ...
Содержание
7 | |
Shakespeare in Performance Study and Criticism | 15 |
Shylock Antonio and the Politics of Performance | 27 |
The Merchant of Venice | 47 |
Romeo and Juliet in Performance | 58 |
I Have done the deed Macbeth 22 | 71 |
Disguise in Trevor Nunns Twelfth Night | 84 |
Patterns of Imagery in Stuart Burges Julius Caesar | 93 |
Teaching Whats Not There | 104 |
The New Globe | 113 |
Tracking Performance Criticism of Shakespeare | 123 |
Bibliography | 137 |
List of Contributors | 141 |
Index | 142 |
Часто встречающиеся слова и выражения
acting anti-Semitism Antonio audience Bassanio blood books on Shakespeare boy actor Brutus Bulman Cambridge University Press century Cesario character Charney Christians cinematic conspirators context cultural Cushman Delaware Press director disguise drama edited Elizabethan essay film Folio formance Garrick gender Globe Halio Hamlet hands Harbage homosexual imagery imagine interpretation Irving James Jewish Judi Dench Julius Caesar June Schlueter King Lear Lady Macbeth lines literary London Lusardi Malvolio MARVIN ROSENBERG Masks Merchant of Venice modern Olivia Orsino Othello performance criticism performance studies Peter physical play's Players of Shakespeare playgoer plays in performance playscript playtext Portia production Professor of English Ralph Berry Renaissance role Romeo and Juliet says scholars script sexual Shake Shakespeare Bulletin Shakespeare in Love Shakespeare in Performance Shakespeare's plays Shakespeare's text Shylock Solanio speare speare's speech Stratford-upon-Avon theater theatrical tion Trevor Nunn Tubal Twelfth Night University of Delaware Victorian Viola visual words Worthen York
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Стр. 28 - I hate him for he is a Christian ; But more for that in low simplicity He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Стр. 119 - To make a child now swaddled, to proceed Man, and then shoot up, in one beard and weed, Past threescore years...
Стр. 102 - And Caesar's spirit ranging for revenge, With Ate by his side come hot from hell, Shall in these confines with a monarch's voice Cry ' Havoc,' and let slip the dogs of war ; That this foul deed shall smell above the earth With carrion men, groaning for burial.
Стр. 31 - Signior Antonio, many a time and oft In the Rialto you have rated me About my moneys and my usances : Still have I borne it with a patient shrug ; For sufferance is the badge of all our tribe. You call me misbeliever, cut-throat dog, And spit upon my Jewish gaberdine, And all for use of that which is mine own.
Стр. 74 - That which hath made them drunk hath made me bold; What hath quench'd them hath given me fire.
Стр. 107 - Let's kill him boldly, but not wrathfully; Let's carve him as a dish fit for the gods, Not hew him as a carcass fit for hounds...
Стр. 119 - He rather prays you will be pleas'd to see One such to-day, as other plays should be ; Where neither chorus wafts you o'er the seas...
Стр. 51 - Most noble gentlemen, and my worthy patrons! It may seem strange, that I, your Scoto Mantuano, who was ever wont to fix my bank in face of the public Piazza, near the shelter of the Portico to the Procuratia, should now, after eight months' absence from this illustrious city of Venice, humbly retire myself into an obscure nook of the Piazza.
Стр. 119 - I might guess by's mustering up the ghosts And policies not incident to hosts ; But chiefly by that one perspicuous thing, Where he mistook a player for a king, For when he would have said, ' King Richard died, And call'd, a horse ! a horse ! ' he ' Burbage