The Ladies: Female Patronage of Restoration Drama, 1660-1700

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Clarendon Press, 1989 - Всего страниц: 188
This is the first in-depth study of a female audience that shows how and why women went to the theater in Restoration England. Robert challenges the assumption that a "ladies' faction" played an important part in encouraging the playhouses to present a more moral, less bawdy or "satirical" style of comedy, thus changing the course of English drama. He shows that there is no evidence of this faction, and that "sentimental" comedies really did cater to the interest of their female audience by incorporating the fashionable concern for women's rights. Drawing on many sources, including the life of Elizabeth Pepys, the book investigates just who these "ladies" were, what determined their theater-going, how often they went, what they liked and did in the theater, and the role of patronage at the court of three Restoration queens.

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Introduction i
1
Elizabeth Pepys Playgoer
49
Women in the Playhouse
65
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Об авторе (1989)

David Roberts was born on May 8, 1970. He is a British children's illustrator. He has illustrated a large number of books in both black and white and colour. he has worked with such well-known authors as Philip Ardagh (on the Eddie Dickens and Unlikely Exploits series), G.P. Taylor (on the Mariah Mundi series), Chris Priestley (on the Tales of Terror series), Mick Jackson (on Ten Sorry Tales and The Bears of England), and Susan Price (on the Olly Spellmaker series). Mouse Noses on Toast by Daren King won the Nestle Smarties Book Prize (ages 6 -8 years) in 2006, after which King and Roberts collaborated on other titles including Peter the Penguin Pioneer, Sensible Hare and the Case of Carrots and The Frightfully Friendly Ghosties series. He was shortlisted for the Kate Greenaway Medal in 2015 for his title Tinder.

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