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somewhat a little excessive, a little exaggerated in the expression. In his Schreech-Owl* were so many merchants discouraged, so many ladies killed, matches broke, poets dismayed! The numbers are too large. Two or three-five or six, is enough in all conscience in most cases. 'Tis else like the Jewish way of speaking, who, to express a man's being rich, say he has 80 ships at sea, and Soo cities on the land."

From Mrs. Carter, March 30, 1752.

"You will think to be sure that I am determined to call you to an account for all your omissions, when I tell you I was outrageous at your not uttering a sigh of lamentation over the departure of the RAMBLER, nor once mention his farewell paper. For some minutes it put me a good deal out of humour with the world, and more particularly with the great and powerful part of it. To be sure people in a closet are apt to form strange odd ideas, which, as soon as they put their heads out of doors, they find to be utterly inconsistent with that something or other that regulates, or rather confounds, the actions of mankind. In mere speculation it seems mighty absurd that those who govern states, and call themselves politicians, should not eagerly decree laurels and statues, and public support to a genius who contributes all in his power to make them the rulers of reasonable creatures. However, as honours and emoluments are by no means the infallible consequences of such an endeavour, Mr. Johnson is very happy in having proposed to himself that reward to his labours which he is sure not to be disappointed of by the stupidity or ingratitude of mankind."

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From Miss Talbot, April 22, 1752.

"I must beg a thousand pardons, my dear Miss Carter, for my absolute silence on the death of that excellent person, the RAMBLER. I assure you, I grieved for it most sincerely, and could have dropt a tear over his two concluding papers, if he had not in one or two places of the last commended himself too much; for I knew there were people whose very unjust prejudices against him would be strengthened by them. Indeed 'tis a sad thing that such a paper should have met with discouragement from wise, and learned, and good people too. Many are the disputes it has cost me, and not once did I come off triumphant. I have heard he means to occasionally throw some papers into the Daily Advertiser; but he has not begun yet, as he is in great affliction I hear, poor man, for the loss of his wife,"

From Mrs. Carter, May 9, 1752.

"I congratulate you, dear Miss Talbot, on your retreat from the hurry and flutter of fashionable visiting to the quiet conversation of wood nymphs and hamadryads, and other good sort of company, who have wrought so happy a reformation in you, and taught you to express yourself with becoming sorrow on the death of the RAMBLER. It must be confessed however that you shewed an heroic spirit in defending his cause against such formidable enemies even in London. Many a battle have I too fought for him in the country, but with very little success. Indeed I was extremely disheartened in my last defeat in argument with a lady of excellent skill in the weapons of plausibility,

who

who so absolutely got the better of me, that after having displayed the whole force of my eloquence, with no manner of effect on her understanding, in defence of the RAMBLER, she afterwards almost convinced me that there was a tolerable degree of merit in the idle foolish farce of "Miss in her Teens." I must positively take care how I venture to engage with her again, for fear she should take it into her head to convince me of the wit, good sense, and morality of Mrs. Cibber's Oracle."*

Had Johnson, instead of dealing in general truths, exercised his pen in temporary and personal descriptions of manners and characters, he would have instantly engaged the attention of vulgar minds, and procured present fame to his essays; but he would have composed them of fading materials, which would long since have perished and been forgotten.- It is probable that those papers in the Spectator, which, sporting with the little foibles and petty customs of the day, have long since lost their interest, and are now only an incumbrance to the work, were when first published the most popular.

The fate of the RAMBLER holds out a lesson of en

couragement to the virtuous exertions of a pure and unsophisticated mind. To such a mind the passing subjects of fashionable interest in the intercourse of familiar life, are unattractive, and even contemptible. "I have never," says Johnson," complied with temporary curiosity, nor enabled my readers to discuss the

From Mrs. Carter's Letters.

topic of the day. I have rarely exemplified my assertions by living characters; in my papers no man could look for censures of his enemies, or praises of himself, and they only were expected to peruse them, whose passions left them leisure for abstracted truth, and whom virtue could please by its naked dignity."

It would be uncandid to deny that the criticism of Miss Talbot on these essays is just. Johnson wants the happy ease of Addison, whose exquisitely nice touches of character were beyond the attainment of his successor, both in point of perception and language. The pen of Johnson makes its strokes with a heavy and laborious hand; but the strokes have force and truth, though perhaps a little exaggerated.-If there be "the nodosity of the oak," there is also "its strength." Johnson had not in early life, like Addison, been familiar with the circles of polished society; and the structure of his own mind and disposition was not calculated to counteract this deficiency. He was indeed so far from wanting a moral sensibility, that it predominated in every act and expression of his life. It flowed from a constant contemplation of the frailties and sorrows of human nature. But he wanted those delicate and excessive feelings, which are instantaneous; and too often are opposite to reason; never the result of it. His characters of FROLICK and RноDOCLEA, if full of good sense, are coarse; the outline is well drawn, but it is not filled up with felicity or niceness; the colours are laid on with a trowel; and the lights and shades are not happily blended.

But what human work is perfect? And what author, unlesss Shakspeare, ever possessed every varied excel

lence?

lence? There is merit enough in the RAMBLER to reflect eternal disgrace on its cotemporaries, by whom it was so coldly received.

Jan. 14, 1809.

No LIX.

On the Love of Fame.

"Fame is the spur which the clear spirit doth raise
To scorn delights, and live laborious days."

MILTON.

The love of Fame, if we limit the word to the result of virtuous and honourable exertions, burns brightest in those bosoms, whose powers are best adapted to attain it. It is a generous passion, which is unfelt by selfish minds. Its gratifications are generally ideal; and remote both in point of time and place.

The effects of wealth and titles come home to the presence of the possessor; they feed his sensual gratifications, and are seen by the eye, and heard by the ear. The ardour therefore with which they are pursued, and the sacrifices which are made to acquire them, are perfectly consistent with the most narrow and the

basest motives.

It may be admitted, that of Fame, which is justly won, these observations are not equally applicable to every different kind. Of a warrior the fame in some degree surrounds him; accompanies his footsteps; precedes his march; and follows at his heels. Nor is the orator unattended by a reward which comes directly

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