Round her pale neck his dying arms he wreathes, A mortal strike celestial strings, Who now shall grace the glowing throne Bold Shakspeare sat, and look'd creation through, That throne is cold-that lyre in death unstrung Yet old Oblivion, as in wrath he sweeps, One spot shall spare,-the grave where Shakspeare sleeps. Rulers and ruled in common gloom may lie, But Nature's laureate bards shall never die. Art's chisell'd boast and Glory's trophied shore While sculptured Jove some nameless waste may claim, O Thou! to whose creative power While Grace and Goodness round the altar stand, Deep in the West as Independence roves, In Time's full hour shall spring a glorious race. Thy name, thy verse, thy language, shall they bear, Our Roman-hearted fathers broke But thou, harmonious master of the mind, And what her Monarch lost her Monarch-Bard shall save. THE BROTHERS. WE ARE BUT TWO-the others sleep We are but two-oh, let us keep Heart leaps to heart-the sacred flood That good old man-his honest blood We in one mother's arms were lock'd- In the same cradle we were rock'd, Our boyish sports were all the same, Let manhood keep alive the flame, We are but two-be that the band THE FAMILY MEETING.1 We are all here! Father, mother, Sister, brother, All who hold each other dear. It is not often thus around Our old familiar hearth we're found. We're not all here! Some are away,-the dead ones dear We are all here! Even they-the dead-though dead, so dear. These lines were written on occasion of the accidental meeting of all the Surviving members of a family, the father and mother of which, one eighty-two, the other eighty years old, have lived in the same house fifty-three years. Fond Memory, to her duty true, We are all here! Sister, brother, You that I love with love so dear. THE WINGED WORSHIPPERS. ADDRESSED TO TWO SWALLOWS THAT FLEW INTO CHAUNCEY-PLACE CHURCH DURING DIVINE SERVICE. Above the crowd, On upward wings could I but fly, "Twere Heaven indeed Through fields of trackless light to soar, I SEE THEE STILL. I rock'd her in the cradle, And laid her in the tomb. She was the youngest. I see thee still; Remembrance, faithful to her trust, In every scene to memory dear, I see thee still, In every hallow'd token round; This lock of hair thy forehead shaded, This silken chain by thee was braided, This book was thine; here didst thou read; I see thee still; Here was thy summer noon's retreat, I see thee still; Thou art not in the grave confined- Let Earth close o'er its sacred trust, JOHN HOWARD PAYNE, 1792-1852. JOHN HOWARD PAYNE was born in the city of New York, June 9, 1792. He early showed great poetical taste, together with a strong passion for the stage, on which he made his first appearance at the Park Theatre of his native city, in his sixteenth year, in the character of Young Norval. After that, for some years, he performed in our chief cities with great success. In 1813 he went to England, and established in London a theatrical journal, called the Opera-Glass. He returned home in 1834, and in 1851 was appointed Consul at Tunis, where he died the next year, at the age of sixty. Payne wrote a number of dramas and other poems; but he is now only known by the favorite air of Home, Sweet Home, which he introduced, when in London, into an opera called "Clari; or, The Maid of Milan." No song was ever more popular; and the profits arising from it (which went to the manager of the theatre, Charles Kemble, and not to Payne) are said to have amounted to two thousand guineas in two years. It is known and admired wherever the English language is spoken, and richly deserves a place here. HOME, SWEET HOME. 'Mid pleasures and palaces though we may roam, There's no place like home! An exile from home, splendor dazzles in vain: Give me these, and the peace of mind, dearer than all. There's no place like home! |