Изображения страниц
PDF
EPUB

evil : or, one dreads hell,--show him that dread is evil. He who loves goodness, harbours angels, reveres reverence, and lives with God. The less we have to do with our sins the better. No man can afford to waste his moments in compunctions. “That is active duty," say the Hindoos, “which is not for our bondage; that is knowledge, which is for our liberation; all other duty is good only unto weariness."

Another dogma, growing out of this pernicious theologic limitation, is this Inferno. Swedenborg has devils. Evil, according to old philosophers, is good in the making. That pure malignity can exist is the extreme proposition of unbelief. It is not to be entertained by a rational agent; it is atheism; it is the last profanation. Euripides rightly said,

Goodness and being in the gods are one;
He who imputes ill to them makes them none.

To what a painful perversion had Gothic theology arrived, that Swedenborg admitted no conversion for evil spirits! But the divine effort is never relaxed; the carrion in the sun will convert itself to grass and flowers; and man, though in brothels, or jails, or on gibbets, is on his way to all that is good and true. Burns, with the wild humour of his apostrophe to "poor old Nickie Ben,"

Owad ye tak a thought and mend! has the advantage of the vindictive theologian. Everything is superficial, and perishes, but love and truth only. The largest is always the truest sentiment, and we feel the more generous spirit of the Indian Vishnu," I am the same to all mankind. There is not one who is worthy of my love or hatred. They who serve me ū2tiffimâÒēģņētiņ22?Â?–/?/ti22\\2\/2ū2/2 2/Ầ2ū22 ūtiẦ/2ÂÒÂ►?Â22/2 /2/ ways are altogether evil, serve me alone, he is as respectable as the just man; he is altogether well employed; he soon becometh of a virtuous spirit, and obtaineth eternal happiness.”

For the anomalous pretension of revelations of the other world -- only his probity and genius can entitle it to any serious regard. His revelations destroy their credit by running into detail. If a man say, that the Holy Ghost has informed him that the Last Judgment, (or the last of the judgments,) took place in 1757; or, that the Dutch, in the other world, live in a heaven by themselves, and the English, in a heaven by themselves; I reply, that the Spirit which is holy, is reserved, taciturn, and deals in laws. The rumours of ghosts and hobgoblins gossip and tell for

tunes. The teachings of the high Spirit are abstemious, and, in regard to particulars, negative. Socrates' Genius did not advise him to act or to find, but if he purposed to do somewhat not advantageous, it dissuaded him. “What God is,” he said, “I know not; what he is not, I know." The Indians have denominated the Supreme Being, the “Internal Check.” The illuminated Quakers explained their Light, not as somewhat which leads to any action, but it appears as an obstruction to anything unfit. But the right examples are private experiences, which are absolutely at one on this point. Strictly speaking, Swedenborg's revelation is a confounding of planes,—a capital offence in so learned a categorist. This is to carry the law of surface into the plane of substance, to carry individualism and its fopperies into the realm of essences and generals, which is dislocation and chaos.

The secret of heaven is kept from age to age. No imprudent, no sociable angel ever dropt an early syllable to answer the longings of saints, the fears of mortals. We should have listened on our knees to any favourite, who, by stricter obedience, had brought his thoughts into parallelism with the celestial currents, and could hint to human ears the scenery and circumstance of the newly parted soul. But it is certain that it must tally with what is best in nature. It must not be inferior in tone to the already known works of the artist who sculptures the globes of the firmament, and writes the moral law. It must be fresher than rainbows, stabler than mountains, agreeing with flowers, with tides, and the rising and setting of autumnal stars. Melodious poets shall be hoarse as street balladsingers, when once the penetrating key-note of nature and spirit is sounded,—the earth-beat, sea-beat, heart-beat which makes the tune to which the sun rolls, and the globule of blood, and the sap of trees.

In this mood, we hear the rumour that the seer has arrived, and his tale is told. But there is no beauty, no heaven-for angels, goblins. The sad muse loves night and death, and the pit. His Inferno is mesmeric. His spiritual world bears the same relation to the generosities and joys of truth, of which human souls have already made us cognisant, as a man's bad dreams bear to his ideal life. It is indeed very like, in its endless power of lurid pictures, to the phenomena of dreaming, which nightly turns many an honest gentleman, benevolent, but dyspeptic, into a wretch, skulking like a dog about the outer yards and kennels of creation. When he mounts into the heaven, I do not hear its language. A man should not tell me that he has walked among the angels; his proof is, that his eloquence makes me one. Shall the archangels be less majestic and sweet than the figures that have actually walked the earth? Those angels that Swedenborg paints give us no very high idea of their discipline and culture : they are all country parsons: their heaven is a fête champêtre, an evangelic picnic, or French distribution of prizes to virtuous peasants. Strange, scholastic, didactic, passionless, bloodless man, who denotes classes of souls as a botanist disposes of a carex, and visits doleful hells as a stratum of chalk or hornblende! He has no sympathy. He goes up and down the world of men, a modern Rhadamanthus in gold-headed cane and peruke; and with nonchalance, and the air of a referee, distributes souls. The warm, many-weathered, passionate-peopled world is to him a grammar of hieroglyphs, or an emblematic freemasons' procession. How different is Jacob Behmen! He is tremulous with emotion, and listens awe-struck, with the gentlest humanity, to the Teacher whose lessons he conveys; and when he asserts that, “in some sort, love is greater than God,” his heart beats so high that the thumping against his leathern coat is audible across the centuries. 'Tis a great difference. Behmen is healthily and beautifully wise, notwithstanding the mystical narrowness and incommunicableness. Swedenborg is disagreeably wise, and with all his accumulated gifts, paralyzes and repels.

It is the best sign of a great nature, that it opens a foreground, and, like the breath of morning landscapes, invites us onward. Swedenborg is retrospective, nor can we divest him of his mattock and shroud. Some minds are for ever restrained from descending into nature; others are for ever prevented from ascending out of it. With a force of many men, he could never break the umbilical cord which held him to nature, and he did not rise to the platform of pure genius.

It is remarkable that this man, who, by his perception of symbols, saw the poetic construction of things, and the primary relation of mind to matter, remained entirely devoid of the whole apparatus of poetic expression, which that perception creates. He knew the grammar and rudiments of the Mother Tongue, How could he not read off one strain into music ? Was he like Saadi, who, in his vision, designed to fill his lap with the celestial flowers, as presents for his friends; but the fragrance of the roses

so intoxicated him, that the skirt dropped from his hands ? or, is reporting a breach of the manners of that heavenly society? or, was it that he saw the vision intellectually, and hence that chiding of the intellectual that pervades his books ? Be it as it may, his books have no melody, no emotion, no humour, no relief to the dead prosaic level. In his profuse and accurate imagery is no pleasure, for there is no beauty. We wander forlorn in a lacklustre landscape. No bird ever sang in all these gardens of the dead. The entire want of poetry in so transcendant a mind betokens the disease, and, like a hoarse voice in a beautiful person, is a kind of warning. I think, sometimes, he will not be read longer. His great name will turn a sentence. His books have become a monument. His laurel, so largely mixed with cypress, a charnel-breath so mingles with the temple incense, that boys and maids will shun the spot.

Yet, in this immolation of genius and fame at the shrine of conscience, is a merit sublime beyond praise. He lived to purpose : he gave a verdict. He elected goodness as the clue to which the soul must cling in all this labyrinth of nature. Many opinions conflict as to the true centre. In the shipwreck, some cling to running rigging, some to cask and barrel, some to spars, some to mast; the pilot chooses with science,—I plant myself here; all will sink before this; "he comes to land who sails with me.” Do not rely on heavenly favour, or on compassion to folly, or on prudence, or on common sense, the old usage and main chance of men: nothing can keep you,-not fate, nor health, nor admirable intellect; none can keep you, but rectitude only, rectitude for ever and ever !-and, with a tenacity that never swerved in all his studies, inventions, dreams, he adheres to this brave choice. I think of him as of some transmigrating votary of Indian Legend, who says, “Though I be dog, or jackal, or pismire, in the last rudiments of nature, under what integument or ferocity, I cleave to right, as the sure ladder that leads up to man and to God."

Swedenborg has rendered a double service to mankind, which is now only beginning to be known. By the science of experiment and use, he made his first steps : he observed and published the laws of nature; and, ascending by just degrees, from events to their summits and causes, he was fired with piety at the harmonies he felt, and abandoned himself to his joy and worship. This was his first service. If the glory was too bright fer his eyes to bear, if he staggered under the trance of delight, the more excellent is the spectacle he saw, the realities of being which beam and blaze through him, and which no infirmities of the prophet are suffered to obscure; and thus he renders a second passive service to men, not less than the first,-perhaps, in the great circle of being, and in the retributions of spiritual nature, not less glorious or less beautiful to himself.

MONTAIGNE; OR, THE SCEPTIC.

EVERY fact is related on one side to sensation, and, on the other, to morals, The game of thought is, on the appearance of one of these two sides, to find the other: given the upper, to find the under side. Nothing so thin, but has these two faces; and, when the observer has seen the obverse, he turns it over to see the reverse. Life is a pitching of this penny,heads or tails. We never tire of this game, because there is still a slight shudder of astonishment at the exhibition of the other face, at the contrast of the two faces. A man is flushed with success, and bethinks himself what this good luck signifies. He drives his bargain in the street; but it occurs that he also is bought and sold. He sees the beauty of a human face, and searches the cause of that beauty, which must be more beautiful. He builds his fortunes, maintains the laws, cherishes his children ; but he asks himself, why? and whereto ? This head and this tail are called, in the language of philosophy, Infinite and Finite; Relative and Absolute: Apparent and Real; and many fine names beside.

Each man is born with a predisposition to one or the other of these sides of nature; and it will easily happen that men will be found devoted to one or the other. One class has the perception of difference, and is conversant with facts and surfaces; cities and persons ; and the bringing certain things to pass ;—the men of talent and action. Another class have the perception of identity, and are men of faith and philosophy, men of genius.

Each of these riders drives too fast. Plotinus believes only in philosophers; Fenelon, in saints; Pindar and Byron, in poets. Read the haughty language in which Plato and the Platonists speak of all men who are not devoted to their own shining abstractions: other men are rats and mice. The literary class is usually

« ПредыдущаяПродолжить »