Elizabeth Barrett Browning: Selected Poems

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JHU Press, 1988 - Всего страниц: 330

Most of Elizabeth Barrett Browning's poetry has been unavailable to new readers, in spite of a growing appreciation of her innovativeness as a poet—and it spite of her onvious importance for any feminist reading of nineteenth-century English poetry. With the publication of this book, a major portion of Elizabeth Barrett Browning's wok returns to print.

The poems selected here includ early verse published in 1826, when the poet was twenty, as well as the last poems she wrote before her death in 1861. Her religious verse appears alongside lively ballads, examples of her social-reforming and political verse, and generous selections of her love poetry, including the whole of the Sonnets from the Portuguese.

The volume illustrates Elizabeth Barrett Browning's development as a poet and reveals her contribution to feminist literature. Innocent-seeming ballads, beloved in the Victorian period for their sweetness and condemned thereafter for their cloying sentimentality, here emerge as subversive articulations of the plight of women. "Few heard what Elizabeth Barrett Browning said [in her time]," Margaret Forster writes. "Today, with ears more finely attuned, we can hear her clearly."

 

Содержание

From THE SERAPHIM
29
From POEMS 1844
71
From POEMS 1850
187
PART ONE 1851
241
A Curse for a Nation
279
A Tale of Villafranca
288
Christmas Gifts
294
Amys Cruelty
303
Bianca among the Nightingales
309
First News from Villafranca
317
The Forced Recruit
319
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Об авторе (1988)

Elizabeth Barrett was born in Coxhoe Hall, Durham, England, in 1806. Most of her childhood was spent on her father's estate, reading the classics and writing poetry. An injury to her spine when she was fifteen, the shock of her brother's death by drowning in 1840 and an ogre-like father made her life dark. But she read and wrote, and no little volume of verse ever produced a richer return than her Poems of 1844. Robert Browning read the poems, liked them, and came to her rescue like Prince Charming in the fairy story. Elizabeth Barrett and Robert Browning were married on September 12, 1846. Barrett Browning's enduring fame has rested on two works-Poems (1850), containing Sonnets from the Portuguese, and Aurora Leigh (1857). The former is a celebration of woman as man's other half and the latter is a celebration of woman's potential to stand on her own. During the Edwardian and later periods, it was Sonnets from the Portuguese that embodied Barrett Browning. Since the rise of feminism, it has been Aurora Leigh. More recently, a third side of Barrett Browning has been revealed: the incisive critical and political commentator, seen in her letters. Elizabeth Barrett Browning died in Florence, Italy, in 1861.

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