Shakespeare in PsychoanalysisPsychology Press, 2001 - Всего страниц: 269 The link between psychoanalysis as a mode of interpretation and Shakespeare's works is well known. But rather than merely putting Shakespeare on the couch, Philip Armstrong focuses on the complex and fascinatingly fruitful mutual relationship between Shakespeare's texts and psychoanalytic theory. He shows how the theories of Freud, Rank, Jones, Lacan, Erikson, and others are themselves in a large part the product of reading Shakespeare. Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts. This is played out in a variety of expected and unexpected contexts, including: *the early modern stage *Hamlet and The Tempest *Freud's analytic session *the Parisian intellectual scene *Hollywood *the virtual space of the PC. |
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... Freud , Rank , Jones , Lacan , Erikson and others are themselves in large part the product of reading Shakespeare ; and that , in turn , their theories shape our interactions with literary texts in ways we may not recognise . Armstrong ...
... Freud , Rank , Jones , Lacan , Erikson and others are themselves in large part the product of reading Shakespeare ; and that , in turn , their theories shape our interactions with literary texts in ways we may not recognise . Armstrong ...
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... Freud , unless otherwise stated , are to The Penguin Freud Library , parentheses after references and quotations indicate the relevant volume and the appropriate pages : for example ( PFL 14 : 303 ) refers to page 303 of The Penguin ...
... Freud , unless otherwise stated , are to The Penguin Freud Library , parentheses after references and quotations indicate the relevant volume and the appropriate pages : for example ( PFL 14 : 303 ) refers to page 303 of The Penguin ...
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... Freud - both of course younger than we are accustomed to seeing them , with a full head of hair and a beard still youthfully scanty , a kind of goatee , a look suturing together the turn of three centuries : seventeenth , twentieth and ...
... Freud - both of course younger than we are accustomed to seeing them , with a full head of hair and a beard still youthfully scanty , a kind of goatee , a look suturing together the turn of three centuries : seventeenth , twentieth and ...
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... Freud's legacy that enables Dr Moth , along with Shakespeare in Love's audience , to diagnose an association between sexual libido and artistic creation . As Freud puts it , ' As soon as writing , which entails making a liquid flow out ...
... Freud's legacy that enables Dr Moth , along with Shakespeare in Love's audience , to diagnose an association between sexual libido and artistic creation . As Freud puts it , ' As soon as writing , which entails making a liquid flow out ...
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... Freud's inaugural formulation of the Oedipus complex , which depended , as I am far from the first to point out , upon Hamlet as much as on the Sophocles play that gave the theory its name . A substantial proportion of this volume will ...
... Freud's inaugural formulation of the Oedipus complex , which depended , as I am far from the first to point out , upon Hamlet as much as on the Sophocles play that gave the theory its name . A substantial proportion of this volume will ...
Содержание
In Vienna | 11 |
In Paris | 52 |
In Johannesburg | 95 |
Shakespeares memory | 131 |
Shakespeares sex | 181 |
Conclusion | 225 |
Notes | 231 |
Bibliography | 246 |
259 | |
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