S. T. ColeridgeR. L. Brett Bell, 1971 - Всего страниц: 296 |
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Стр. 130
... Imagination or the modifying Power in that highest sense of the word in which I have ventured to oppose it to Fancy , or the aggregating power - in that sense in which it is a dim Analogue of Creation , not all that we can believe but ...
... Imagination or the modifying Power in that highest sense of the word in which I have ventured to oppose it to Fancy , or the aggregating power - in that sense in which it is a dim Analogue of Creation , not all that we can believe but ...
Стр. 134
... imagination into prominence in the first place , and related to the image of the organism as the model of the unity that results.1 At the same time the imagination and the fancy thrust our attention away from themselves and towards ...
... imagination into prominence in the first place , and related to the image of the organism as the model of the unity that results.1 At the same time the imagination and the fancy thrust our attention away from themselves and towards ...
Стр. 137
... imagination , and we notice one element of the difficulty at once : the primary imagination has a far more ambitious function than was attributed to the whole imagination in Coleridge's earlier distinc- tion of it from fancy . Here it ...
... imagination , and we notice one element of the difficulty at once : the primary imagination has a far more ambitious function than was attributed to the whole imagination in Coleridge's earlier distinc- tion of it from fancy . Here it ...
Содержание
On Reading Coleridge | 1 |
I Poems of the Supernatural | 45 |
II The Conversational and other Poems | 91 |
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activity Ancient Mariner appeared association become believe Biog Biographia called century Christian close Cole Coleridge Coleridge's Collected complete concerned continued creative criticism death described distinction early edition effect English essay existence experience fact faith feeling final force Friend genius give heart human ideas images imagination important included intellectual interest kind knowledge language later Lectures less letters light lines literary living look lost material means mind moon moral nature never Notebooks object organic original perhaps period philosophical poem poet poetic poetry political present principles published reader reading reason reference Reflection relation religion religious Remains romance Sara seems seen sense Shakespeare spirit Studies suggests theory things thinking thought tion true truth turn understanding unity universal volume whole Wordsworth writing written